Plaster of Paris Mixing Guide...

7/15/2013

Video Below:
This video is also available on YouTube here:

If you only want the instructions for mixing Plaster of Paris please go directly to the video. If you would like to understand more about the chemistry, manufacture, physical characteristics, and some tips for re-enforcing, coloring, dangers, and proper disposal, please read on.
The basis for this post is that I have checked several sites for the instructions and found them wrong, misleading, or lacking in good information about this versatile casting material. Plaster of Paris has been in use for well over 5 thousand years and is still misunderstood. So, while I am not an expert, I have used this material for years with good success and continue to find new uses.
Plaster of Paris is made from calcium sulfate dihydrate, (CaSO4.2H2O), frequently called gypsum. This simply means that there are two molecules of water with each calcium sulfate. It is a naturally occurring mineral found in many locations around the world but was originally named after a large deposit in Montmartre near Paris. The dihydrate is ground and roasted at 150 C (300F) to drive off 1 and ½ molecules of water as steam. The modified material is now calcium sulfate hemihydrate, Plaster of Paris, and has only ½ a molecule of water, 2CaSO4·2H2O + Heat → 2CaSO4·½H2O + steam. Since it takes in energy as heat it is an endothermic reaction. So, when we buy Plaster of Paris, we are buying the hemihydrate of calcium sulfate. In order to make it a castable solid we add water so that it becomes the dihydrate again! The Plaster of Paris gives off the energy that it has stored and when setting into a solid provides an exothermic reaction. It can become very hot and can burn exposed skin. So, it is not used as a casting medium for human parts casting. When it is used as a cast for broken limbs it is used over bandage material and not in direct contact.
Plaster of Paris is a very soft mineral although it can be relatively strong when it is used as a cast. On the Mohs scale of mineral hardness, with talc being 1 and diamond being 10, Plaster of Paris is a 2. This allows it to be sanded, trimmed, and damaged easily. Once set, it is not water soluble, and it has a very low rate of expansion, about 0.1 %. It sets or hardens in a monoclinic crystal lattice which means that the particles are all facing the same direction. This provides a dense cast, but there are still interstitial areas and it is porous.
Plaster of Paris sets in a very short period of time depending on the temperature of the mix and the air temperature. Typically, it can be de-molded in about 30 to 45 minutes. If it is cool to the touch it has at least set. But, set time is not the same as cure time. In order to fully cure, the cast will usually take between 48 and 72 hours with good ventilation to allow any excess water to escape. There is a great deal of speculation on the web about increasing set time. I have seen everything mentioned from baking powder to vinegar. But, adding other chemicals will change the material characteristics and may lead to failure due to interruption of the crystal lattice. The best methods to increase the working time is to use cold water, use short mixing times, or by using an excess of water. It is also possible to purchase Plaster of Paris with retardants that are designed to increase working time. But, by using cool water, and short mixing times, I have had material that had a working time of 30 minutes.
Plaster of Paris can be strengthened by using glass fiber, gauze bandage, or other suitable material. In fact, there is a product called modrock that is coated with plaster and simply moistened to use. It is also easy to color the plaster with poster paint or tempera. But, use caution as some colors can cause an almost instant set time. Food color would be a poor choice as it is not color fast.
Plaster of Paris is a fine powder and should not be inhaled. Pour material slowly and use a mask if you feel the need. But, it is a safe material with great casting potential. One serious caution is to dispose it as the solid and not put it in a drain as it will clog the pipes.
If there are any facts that I failed to include please use the comments section to ask questions or add any other useful information. Now, let get mixing!

462 Comments

Shane

10/10/2013 03:40:43 am

Can you use acrylic admix with plaster of paris strengthen bonding properties and decrease moisture absorption? I have tested the mix using 100% acrylic admix in place of water and also a 50/50 mixture. Both solidify appropriately but I am not sure of long term affects yet.
Thanks,
Shane

Ken

10/10/2013 08:47:24 am

Hi Shane,
Interesting question that depends on the application. Normally used in thin sets and mortar, the acrylic admix is filling the interstitial voids of naturally porous plaster, and the water portion is actually reacting to make the dihydrate. Moisture resistance will be better but I am uncertain about shear strength. I have used several polymers including Elmer's glue, (Polyvinyl Acetate) with good results. My best guess is that 100% may be too high, but if it works then test it over time. Without knowing the application I am a little in the dark. Ken.

Ankit raval

5/14/2015 06:18:57 pm

What is ration of polyvinyl accetate

sushil

6/15/2018 06:25:58 am

hi ken
i am indian and we genrate a new invention in plaster of paris please suggest how can mix plaster of paris and marble powder and pigments please tell

Mandy

8/24/2018 07:04:43 pm

Ken,

I have 4 mold of 2”. I want to know how much oz of water and plaster should I use and what’s is the cure time? Also I would like to color the plaster grey color so I don’t have to painted after is ready. So which color paint should I use to mix the plaster and how many oz?

Shweta choudhari

9/4/2018 05:10:53 am

What ever I am modelling with plaster of Paris after it dries is very brittle n brakes off very easily

Mike

10/26/2013 09:16:09 am

Thanks for the clip. Nice.

We cast small objects for use as targets for pellet gun practice. What's the best way to brittle or weaken the plaster so that
it tends to shatter / pulverize dramatically when hit? Thanks.

Ken

10/27/2013 01:52:23 am

Hi Mike,
The inherent softness of POP on the mohs scale makes "shattering" difficult but I would think that a polymer would increase stiffness and shatter potential. The acrylic mentioned in the prior comment, Elmer's glue, (Polyvinyl Acetate), or DAP resin glue might be good candidates. But I would not rule out the possibility of incorporating larger pore size by adding detergent to cause a foam, or baking powder to incorporate CO2. Looks like you have some experiments to do! Thanks for the question. Ken.

sky

4/13/2014 05:33:27 pm

Add lots of hot water. It works for me.

Pete

5/11/2016 05:55:58 pm

Bake it in the oven on low heat for half an hour or so. It's turns into a brittle chalk.

Mandy

8/15/2018 10:54:44 am

Mike

10/27/2013 03:57:59 am

Thanks, Ken.

For instance, a pool cue chalk which is slightly under 1" cube will fracture into 2-3 pieces when hit with a 5.5mm (.22) pellet at 460 fps (and less) I would like one just to go "poof." I'll make some samples and report back. Have you any ideas on ratios of water to plaster to Elmers?

Ken

10/28/2013 09:27:38 am

Hey Mike,
I would try a 10 % Elmer's glue as a first try. Elmer's glue is about 30 % solids (PVA), and the rest water. So, 10 grams of glue contains 3 grams of PVA. But, you could make the standard 2 parts POP to one water and just add the glue and disregard the extra water as it will evaporate. One thing to remember is that POP can be de-molded in just a short time, but the full cure will take 48 to 72 hours for the best shatter possibilities. I think that the key to your problem is to disrupt the way the crystals form in the monoclinic structure. You may want to read up on crystal structure of plaster. Just a thought. Ken.

Billy

1/14/2018 04:43:20 am

I will be making my own leg cast (plaster) could you help me with the gauges so I can make it super strong

Rosie vize

5/9/2017 12:57:47 pm

Hi Mike, I'm just wondering if you ever had any luck with this? I'm facing a similar challenge

Ri Lee

7/12/2017 07:33:22 pm

Dry mix Cornstarch and plaster at a 1:1 ratio.
This non-Newtonian like mix will set slow but crumble with impact. Incidentally, the mix will not display exothermic characteristics when setting. It'll actually stay cool.
Hot water will help set faster!

Michael

12/18/2013 11:12:10 pm

Very useful article.
I have a question about coloring plaster of paris. Is it better to use powdered or liquid tempera paint?

Ken

12/22/2013 12:36:57 am

Hey Michael,
My preference is to use powder as the liquid has binders that may cause gelling. But, it is possible to use acrylic paints, and any water based latex paints as well. Pigments for coloring cement are also available. Use a trial small mix to make sure that it does not cause a problem before committing to a larger batch. Ken.

Gaylene

5/14/2014 03:11:10 am

I would like to use POP with powdered tempera paint as the mortar for mosaics at a YMCA camp this year. Do you have any advice for mixing these. How far in advance should I mix it? How much can be maDE At one time? etc.

Caitlin

10/18/2015 10:22:33 am

Do you have a recommendation for the ratio of powdered pigment in the mix? And should it be added to the dry plaster or the water (or does it matter)?

Adam

1/14/2014 10:28:34 pm

Hi Ken

I am just starting off with using plaster of paris for small models and sculptures and was wondering if fillers for stone or metal effects work ok with it and if so at what ratios?

Thanks in advance

Ken

1/15/2014 12:45:37 am

Hey Adam,
As far as fillers go, almost any material that does minimal structural change will work. But, it depends on the strength needed and the overall use of the model. I have used sand, small stone, metal filings, and glass fiber. Ratios can only be determined by experimentation.It might be helpful to check some model railroad sites to see how they make their filled models. Thanks for the question, Ken.

ahmed

3/17/2014 04:07:18 am

hi ken,
i am using gypsum powder from oman,the material is good but it get set very quickly due to which lots of gypsum got wasted while applying on wall,how can we increase the setting time of it

Ken

3/17/2014 08:53:36 am

Ahmad,
There are only three ways to lengthen the set time without buying a product with retarders already in the gypsum. Using cold water will allow a slower set, shorter mixing times, and an excess of water. If you are using on a vertical wall a thin mix might not work. But cold water should give you about a 30 minute work time. Ken.

mohamnad Naseem Khan link

7/21/2015 12:21:26 pm

For mor time you can add citric acid 0.2...0.5%

Adam

6/30/2014 07:02:20 am

Hi Ken

Do you know if adding a small amount of cement to plaster of Paris would strengthen it at all?

Regards
Adam

Ken

7/1/2014 08:50:01 am

Hey Adam,
Although the cure mechanism of Portland cement and POP are similar, cement gains its strength with sand and aggregate as concrete. It is not really going to add much strength as a simple addition. If you are using fiberglass as a reenforcing material you should be fine. If you want ti try a small amount of cement, use no more than 5 %. Thanks, Ken.

Diana

8/15/2014 04:42:10 am

I've seen/heard several warnings about certain colours resulting in instant setting -- but no-one appears to know/share what those colours are. Do you know? And, is it the colour, or the type of colourant used that makes a difference?
Thanks for you post, too. Has been helpful.

Ken

8/16/2014 02:34:57 am

Hi Diana,
Adding color to POP is very much an art and requires some experimentation. Generally speaking, it is the specific pigment used that causes the set time or integrity of the casting. There are two problems when considering adding color. First is the choice of pigment and the second is saturation. Almost any color added will be more of a pastel rather than a fully saturated color. But, the interaction of the pigment seems to be the key to instant setting problems. I have not done the research on pigment interaction to advise which ones to avoid. Sorry to offer no easy solutions but experiment or paint after the casting. Ken.

Diana

8/16/2014 04:36:20 am

Thanks so much for your quick response! I will experiment, as suggested.

Diana

9/25/2014 03:03:26 am

Hi Ken,
I did as you suggested, and tested some of the colour in a small batch first,, and it worked out really well. However, when it came time for the actual casting, I forgot !! to add the colour. sigh.... So now I have a couple more questions:
1. I've decided NOT to just paint my item (which is half a hand) with the colour I'd prepped, because the colour was pretty lifeless and I am not a great painter. Instead I'm considering getting some spray colour and going for a bronze (I think). Should I be protecting the PoP first? I read on the box that I should shellac it before painting. One of your notes suggested some elmer's glue? I'd like the hand to last as long as possible (it will be in a shadow box so theoretically will be somewhat protected). Whatever it is I use I want to be thin enough that it doesn't take away any of the natural wrinkles and pores of the hand.
2. any suggestions for what kind of spray paint/stain/etc would be good?
Thanks again for taking the time to answer questions. Your advice has been invaluable, and easy to understand. Very much appreciated.

Ken

9/25/2014 08:32:01 am

Hey Diana,
I had to place this answer on your original post as the "reply" button failed to show up on the new question. First, the Elmer's glue will not be appropriate here as it is an emulsion in water and the trapped water may cause problems with subsequent paint. I would suggest several light coats of Krylon acrylic spray, available at all hardware stores, to fill the pores and protect the POP. Also, it is thin and will not bother the detail. One caution however is that the POP hand has to be really cured and dry. Perhaps Debbie's tissue paper would be a good method. If it is several days since casting it should be fine. Let me know if you received this answer and how it works for you, Ken.

Diana

9/25/2014 06:03:17 pm

Thanks again!
The POP hand is very dry! Has been "drying" for a couple of weeks now, so I'm pretty sure that's not a problem. I found a glossy clear Krylon acrylic online, but am hoping that the krylon acrylic paints will also work, in part because I don't want gloss. Would you recommend clear protective layers first or would it be okay to go directly to a colour spray, if I can find one I like?

Ken

9/26/2014 02:40:18 am

Diana,
Absolutely! You can spray paint directly on the cast but I would suggest that you use several thin coats rather than one heavy coat. Both Krylon and Rust-Oleum sell high gloss, satin, and flat in many colors and textures. The cast should last a long time and can always be re-painted if you choose. Good luck and thanks for the questions, Ken.

Diana

11/19/2014 02:17:54 pm

Hi Ken,
Thought I'd let you know that the project is finished! Sprayed the hand with a couple of light coats of Krylon, then a layer of brown tempera, followed by another couple of light coats of Krylon. The funny thing is that I was looking for a pewter colour for the spray and they didn't have one, so I bought gold. And no matter how long I shook it, or how careful I was with the spraying -- when I sprayed my sample pieces, they all sprayed gold. When I sprayed the hand, it always always always ended up silver. So I guess I got close to pewter after all. And I (and those who have seen the finished product) LOVE the final result. Your help has been invaluable. Thank you!!

Pat

9/14/2014 02:08:44 pm

I have some gray metal molded bookends that are sometimes partially filled with plaster to add weight.

I plan to fill the statue, let it cure, and then epoxy a piece of sheet metal to the bottom that is then cover with felt.

Sometime I see bookends where the plaster of paris has fractured and the object now has a rattle to it.

Any advice as to how to avoid the fracturing during the cure period. Can I leave them outside to dry on a 90+ degree day. (not in the sun)

Thanks

Ken

9/15/2014 02:38:32 am

Hi Pat,
Plaster of Paris is a very soft material and does suffer from some sloughing off of small amounts, but the cure time/temperature is not responsible for the fracturing. Two possible solutions can be considered: The first would be to use gauze bandage strips to reinforce the plaster. The second is to make a very dilute solution of Elmer's glue and add it to the cured bookend. Since the plaster is porous, the glue (polyvinyl acetate), will fill the pores and protect the plaster. Try a small experiment to test it out. Good luck and thanks for the question. Ken.

Moxie

9/23/2014 07:57:23 am

Thanks for the info.pls can u explain why cold water is preferred to warm water whn dihydrating a pop.

Ken

9/24/2014 02:20:43 am

Moxie,
The use of cold water slows down the rate at which the POP reacts to form a solid. The cold water allows for a more controlled release of heat (exotherm). Hot water decreases the set time but both provide the same material when set. Thanks for the question, Ken.

Artistwings

9/24/2014 08:02:51 am

Ken
I want to create a negative mold of an actual leaf from plaster of paris. It needs to be applied thick on this dimensional plane so it won't run off the sides.
Do you have any ideas how to initially mix the plaster make the plaster thick (yogurt like) with the longest working possible?

Ken

9/25/2014 02:40:11 am

Artistwings,
I hope that I understand the problem correctly and provide useful information. It seems that you have to cast the mold of the leaf in a vertical position and need a more viscous mix that is slow setting. Unfortunately, these two conditions are mutually exclusive. The possible solution is to wait until the mixed POP is almost set and apply at that time. I think that I would probably use a thinner mix and brush on a thin coat and let it sit and then add another coat until the cast was thick enough. Perhaps even adding some gauze bandage to reinforce would also is an option. Another more remote solution would be to use some citric acid (sold as sour salt in markets) as a retarder and make a mix with less water to provide a thicker mix. However, that would require some experimentation. Hope that this helps, Ken.

debbie callow

9/24/2014 08:06:59 pm

Hi If you wrap tissue paper around the solid cast you will notice the paper becomes wet (even after 24, 48hrs hrs it will continue to exude water.) Keep replacing it until it is no longer wet. This is a good indicator as to when it is completely dry as it can look dry but isnt always. I make sweet trees and use this method in my pots otherwise the sweets would go soggy.

Ken

9/25/2014 02:47:29 am

Debbie,
Good point and as I mentioned in the writeup there is a difference between set and cure. This is a cool way to test water retention. Thanks for the info, Ken.

debbie callow

9/24/2014 08:44:01 pm

Hi, Sorry a question I forgot to ask in my previous message. I have searched the internet to try and find the answer but to no avail. Would you know if plaster of paris will crack a glass jar if poured into it. Thank you so much. Debbie

Ken

9/25/2014 02:56:41 am

Hey again Debbie,
Since the rate of expansion is so low, less that 1/10 0f 1 percent, I would guess that it would not break glass. However, there is also a thermal consideration. POP heats up as it sets and that may induce fracture but again, I think it unlikely. Of course, it may depend on the glass. Also, there will be a long cure time as the excess water has less surface area to escape. I think that the best course of action is to try a small experiment with the kind of glass that you plan to use. And, let us know what you discover. Let's add to the information, thanks, Ken.

Brandon

10/2/2014 12:36:23 am

I am trying to strengthen my POP for use in fine detail silicone mold castings (specifically hisrt arts molds). I need to retain all the fine detail and not damage the molds. As a kicker I need to due this on a limited budget. I'd like to use dental stone, however, no place near me sells it and it is too expensive to ship a 50lbs. box. What would you suggest?

Ken

10/2/2014 08:20:09 am

Hi Brandon,
Although Dental Stone or Hydrocal would be the best choices, if money is a problem, then I have only one reasonable alternative. Take one cup of cool water and add 1/4 cup of Elmer's glue. Mix well and add 2 cups POP slowly and mix as in the video. The polyvinyl acetate polymer in Elmer's will add compressive strength and provide more density. Try it and let us know how it works, Ken.

dhaval

3/1/2015 06:08:54 pm

Hi ken;
Can I use ethelene vinyl acetate to increase pop strength.and can I use hydroxy methelen cellulose as a retarder.this two chemical give me result in wall putty.also suggest other chemical if any

manoj

10/7/2014 03:54:36 am

Hi ken
I have bought commercial POP. It is used in our country to protect newly laid marble n stones on d floor. The existing floor is vitrified tiles with 0.01% porosity. The commercial pop that I bought is not setting even after 36 hours of mixing. What could be the reason. Secondly what economical method I can use to set it. If suppose the existing material has no strength left , if i add another fresh or good pop to it will it set. What should be the mix in that case. Pls educate me on this urgently.
Regards
Manoj

Ken

10/7/2014 08:54:01 am

Manoj,
I am not sure exactly what you mean by "protect the tiles". Is it placed on top or used as an adhesive to secure the tiles? Are you sure that it is calcium sulfate hemihydrate and not the dihydrate? Are the ingredients listed on the package. If you mix 2 parts POP with one part of water does it set. I need more information please to assist. Thanks, Ken.

dhaval

3/1/2015 06:15:26 pm

Manoj.
You can use joint color for vitrified.also white adhesive available.you decrease setting time to adding magnasium cloride

Al Mansur

11/19/2014 10:49:01 am

Hi Ken,

Can you tell me the resulting volume of POP mixed 2:1?
Is it the same volume as the POP or does the water increase the volume?

Ken

11/20/2014 12:57:09 am

Hi Al,
Adding the water to plaster does not substantially increase the volume as the water is absorbed by the plaster and the air in the plaster is displaced. Hope that this helps, Ken.

LaTryce

11/26/2014 10:45:15 pm

Can plaster of paris be used to fill a hollow statue?

Ken

12/4/2014 07:42:36 am

LaTryce,
The only consideration might be the fact that the weight will go up depending on the size but POP makes a good filler. Ken.

Rosemary

12/3/2014 01:13:09 pm

I'm having trouble getting a POP plus PVA glue mixture to set, and when it does, to be strong. My first experiment (using DAP internal use POP and Elmer's white glue) took a long time to set and was very soft and weak even after a couple of weeks. The ratio was 2 cups POP to 1 cup water (cold) to 1/4 cup white glue mixed into the water before the POP was sprinkled on top. I have no trouble at all when using the same ratio of POP to cold water without the addition of glue.

My second experiment was 8 parts POP to 2 parts fine perlite to 1/2 part green concrete dye mixed together. Added to a premixture of 5 parts cold water plus 2 parts of PVA external use glue, listed as gluing plaster and wood, among other things. The mixture was very runny (which is good for pouring), the green color was wonderful but the mixture doesn't look like it is interested in setting. I mixed it over an hour ago. Is there something in the DAP POP that is combining with the PVA to stop the mixture from setting properly? I live in the State of California which has weird restrictions on a lot of building material and paint items so I am wondering if the POP is a special Califorrnia blend. Of course, the actual ingredients are not listed on the carton.

Rosemary

12/3/2014 01:38:49 pm

Update. My second mixture has set. It is still soft and will need to cure for a day or two but it demolded without incident. There are zero bubbles and no gaps, probably because the mixture was a lot runnier than my usual viscose pours. Yay! The color continues to look great.

I made a test pour into a mold that was two small square clear plastic plates with a sunken square in the middle and with one edge cut off (to make a pouring hole). I stuck them together with masking tape and held the mold upright sandwiched between a springy double wall of Lego blocks. The mixture didn't quite fill the mold which is OK. When it has cured I will clamp the plate and see how much force I can exert before it snaps.

My final molded pieces are modular sliders for drawers that build upwards on flat shelving. The slider parts need to be thick enough and strong enough to take the weight of the up-cycled cardboard Costco boxes that will be used as "drawers".

Ken

12/4/2014 08:06:22 am

Hi Rosemary,
My first thought is that there are several products that are made by DAP and some have additives to retard drying. I use a 5 # bucket clearly marked Plaster of Paris and the ingredients are listed: Calcium Sulfate Hemihydrate, Calcium Sulfate, and Silica (to keep product dry). As far as I know, the only applicable California requirement is the proposition 65 which applies only to sanding the dry product. (Inhalation). The other thought is that the amount of PVA glues may be too high for the formation of a strong crystal structure. Thanks for the comments and update, Ken.

Adeel

1/23/2015 08:56:20 pm

Ken ,
First of All , i am very thankful of ur article. And all the contributors in comment section. I am POP MANUFACTURER in pakistan . I was facing problems because of quick setting of POP.Cold water worked very good it increased the time from 5 minutes to 12 minutes for the material that was Termed heated' n was of no use. I m viewing your website on mobile cant see the video. Can u elaborate short mixes?it will be helping .By the way we sale POP to false ceiling guys . I am thinking on the line to cast my own tiles n sale them on bulk

Ken

1/24/2015 07:54:12 am

Hi Adeel,
I am not sure what you mean by "short mixes". Please be more specific and I will try to assist. Ken.

Adeel

1/25/2015 10:06:22 am

By short mixes you meant Small amounts of POP to be mixed with water? If that is what you meant we have to cast 2 feet x 2 feet plates of 4 sooter (1.27cm) thickness .The plate should be prepared in one mix other wise it will not be of same strength and can break easily.what quantity of POP u consider is a 'short mix'?

dhaval

3/2/2015 04:36:28 pm

Adeel,
First I think that you can increase setting time of pop by adding some other filler like calcite,dolomide in lower percentage.it reduce small strength of your pop. you can also add cellulose ether to pop in very smaller percentage .

Yvonne Grant

2/24/2015 10:50:34 am

I want to use POP to permanently set 15" silk flower wired-stems arranged in a short 4" DEEP DISH so that it does not easily tip over. Will POP do this job? Advice and comments welcome! Thanks!

Ken

2/25/2015 01:36:13 am

Hi Yvonne,
Generally speaking, POP is good as a base material due to its density and weight. However, in your particular requirement, it will depend on the diameter of the bottom. If it is like a tea cup it may want to tip. If the diameter is flatter, it will work just fine. Thanks, Ken.

Lawrence Toms link

2/25/2015 11:09:14 pm

hi,

Can I ask if there is any way of achieving two things with plaster of paris please?

1. get it to foam so that it sets lighter and more thermally insulative
2. improve its resistance to hi temperatures in general in terms of
a. insulating/conductive properties
b. material durability/integrity over time

I'm thinking of mixing in a little gorilla glue?

thanks so much for your time :-)

Ken

2/26/2015 08:40:28 am

Hi Lawrence,
I have successfully made POP foam with baking soda and citric acid but the resulting product is very weak due to the cell structure. The formation of the hardened POP is temperature dependent and increasing the insulating properties would be difficult at best. Check some of the previous posts for additives used to strengthen and increase functionality of POP. But consider that everything added tends to alter the monoclinic crystal structure. Gorilla glue is a water cured polyurethane and may foam somewhat but the result may be a much weaker product. Thanks, Ken.

allan

6/30/2016 01:32:51 am

try mixing in some light material - polymer foam particles, paper pulp, sawdust.
POP and paper mix is used to plaster walls.

Brenda

3/14/2015 11:18:37 pm

Hi Ken,
Can you please advise on an expected curing time for plaster of Paris versus thickness. I know it will vary and really am after an indication.
I have a cast piece that is a variation in size 8" x3" x 3"
Thank you in advance
Brenda
Thanks in advance

Ken

3/15/2015 01:56:43 am

Hi Brenda,
The rule that I use is 48 to 72 hours for complete cure even for fairly large castings. POP is porous and the excess water can escape over this time. Another way to test cure is to weigh the casting when demolded and periodically thereafter until the weight stabilizes. Thanks for the question, Ken.

Jackie

5/23/2015 10:13:26 am

II produce casts of baby's hands which I stick to mount board with PVA glue. I have had a couple of instances where after about six months a pink hue appears on the front where the glue is on the other side. I allow two days fir the glue to dry before putting the cast into a frame. I am just wondering whether some sort of reaction us occurring between the glue and the plaster. Any ideas? Thanks for any help you can give.

Ken

5/24/2015 03:04:18 am

Hi Jackie,
The first question: Is this phenomena from the same batch of plaster? If so, I would guess that there is an impurity in the plaster that reacts with either the oxygen or CO2 in the air. For example, if it had some iron it may form a rust-like color. If it is different batches of plaster it may be gypsum starting material that is adulterated. I have used PVA many times and have never seen a reaction causing any color so I would guess that it has some material in the plaster or in the water used to make the mix. Sounds like some small experiments are in order but unfortunately it takes time to see the change. Hope that this helps, Ken.

Taiwo

6/3/2015 09:26:27 pm

Please, I will like to start a new impression business in my country and will also like to use pop for my molds. Please how can I get a best colour mixture. Like obtaining gold Nd silver? Thanks

Ken Quast

6/4/2015 09:35:28 am

Taiwo,
Coloring POP can be a difficult task as mentioned in the video and writeup but I have had some luck with poster paint and acrylic paints. But, I believe that both silver and gold would be difficult to achieve easily. It would be easier to paint after molding but that may not be possible in your situation. Do a search for cement or concrete dyes and you may find something that could work. Sorry I can't provide specific recommendations. Ken.

KARAN

6/10/2015 06:24:02 pm

Can we mix 50% normal cement with 50% POP for increasing strength of POP. Its just for experiment purpose to make some models. Actually cement takes time to set. I need cement like strength (can take 10 days for full strength) but time of setting should be like POP when I am making some craft structure.

Ken

6/12/2015 03:14:53 am

Hi Karan,
Adding 50 % cement will actually weaken it significantly as it interferes with the crystal structure. I would suggest no more than 5 % may work. But, the better alternative would be dental plaster like Hydrocal or Hydrostone. With this there is greater compression strength. Thanks for the question, Ken.

Frank

6/12/2015 08:44:32 am

Ken. Very good info for the hobbyist. I am casting large lead weights in plaster mold but concerned about the plaster being dry enough so it doesn't explode the lead in my face due to the water in the plaster turning into steam. How long should I dry the plaster?

Ken

6/13/2015 02:19:31 am

Hi Frank,
The two most important variables are temperature and humidity so at a given temperature there may be some level of moisture. Here are some thoughts: After demolding (say an hour or two depending on size), weigh of the mold. Check the mold periodically and when the weight has stabilized, the majority of water is gone. However, before pouring the lead, you could heat the mold to a low temperature ( 100 to 150 F). But even with a small amount of moisture, I would guess that the mold would simply crack and not explode but I am not certain. Perhaps you can confirm with a small experiment with very small molds and see what happens. Good luck and thanks for the question, Ken.

Renee

6/25/2015 05:29:22 pm

Hi Ken

I'm from South Africa and found your article and the following q&a section to be very helpful. I do however have a question of my own. I make very small casts of baroque elements for use in scrapbook and altered art. I want to use a antique gold rub on some of the casts and I'm worried that I will just rub away fine sharp detail. Would thin layers of light gesso strengthen the cured casts? Thanks for your help in advance.

Ken

6/26/2015 04:04:46 am

Hi Renee,
I am not sure that traditional gesso would help as it is made from calcium carbonate which is chalk and is as soft as POP. It would probably depend on the binder used. An acrylic gesso might be better and also consider an acrylic spray lacquer. Another good choice would be a white glue like Elmer's glue which has an emulsion of polyvinyl acetate. Hope that this helps, Ken.

Andy Cook

7/20/2015 10:56:35 am

Hi Ken!

I just want to say thanks for doing this page! I'm just about to start some PoP experiments and the video, info and your answers to people's questions has been really useful and interesting. I have a sheet of notes I've been making.

Cheers mate!

All the best,
Andy (UK)

Ray

8/11/2015 07:36:32 am

we use POP to make dig block for kids How can I make it softer. Talc?

Ken

8/11/2015 08:58:44 am

Hi Ray,
POP is already almost as soft as talk on the mohs scale but when cast it is friable but very dense and pretty difficult to get into. But, I get your point and I have two thoughts that are both somewhat speculative. The first is to add some dish washing detergent like Dawn to weaken the bonds. The second is to add baking soda to the dry mix and citric acid (sold at grocery stores) to the water portion. When the two are mixed there will be CO2 generated that should cause some foam to form. This would also weaken the POP. I have done some of these experiments but you will have to try small amounts to test yourself. If you are successful please post the results as we can all learn something new. If anyone else has an idea please post! Thanks Ray, Ken.

Laura

8/16/2015 02:50:44 am

hi. thank you for your insightful page. i want to seal the surface of my pop prototype shapes, in order to have a non porous surface to make a polyurethane rubber mould from it. is there a material or product that can be applied to the surface that could be absorbed into the plaster surface and still maintain the surface texture. an additive to the mix could be possible as long as it does not alter it's workability (to be carved a rasped once set) spraying a paint onto the powder porous surface is problematic! thanks in advance. Laura

Ken

8/16/2015 09:06:21 am

Hi Laura,
It sounds as if your necessary restrictions may preclude some solutions but I have some ideas. First, you could use Elmer's glue (which is polyvinyl acetate, a good polymer to use). Reduce the viscosity with water and brush on enough to seal the pores. Allow the excess water to evaporate and you should have a good surface. I would suggest a silicone release spray for the polyurethane. Another possibility would be Krylon clear lacquer in spray form to fill the pores. If other ideas come to mind I will respond again, Thanks, Ken.

akta

8/17/2015 05:31:42 pm

Hi Ken, wanted to know if I cover blue plastic water pool that kids play in, in summer with plaster of paris decorate it with pebble stone while it's setting, would it work? And can I fill that pool with water. Would it stay as is after it sets.

Ken

8/18/2015 08:37:40 am

Hi Akta,
The simple answer is that it would work but I believe that there is a better alternative. I would suggest Quikrete, which is a cement product that has sand, small gravel, and Portland cement. It is much less expensive than POP and will last longer. It is available at Home Depot, Lowes, and most hardware stores in various size bags,and you just have to add water and mix. Simple and cheap! Two words that I like. Thanks, Ken.

Jay

9/15/2015 06:13:59 am

Hello, I had mixed POP and Sand, roughly in equal parts and added water to make a slurry and it began to set too quickly for me to complete add a pair of U-bolts, so I added a LOT more water and began breaking back up to turn it back into a slurry. From what I am reading, I broke up the lattice and it is never going to set back up and hard since there is no longer going to be a proper reaction. Does that sound about right?

Jay

9/15/2015 06:26:44 am

My apologies for not proof reading prior to hitting send! Here it is again...hopefully with a more intelligible question.

Hello, I recently mixed PoP and Sand, roughly in equal parts and added water to make into a slurry; but it began to set too quickly for me to complete adding a pair of U-bolts. I added a LOT more water and began breaking up the now hardening mixture and remixing with the water, to turn it back into a slurry.
From what I am reading, I made a bad situation worse because apparently I broke up the lattice and it is now never going to set up and harden since there is no longer an exothermic reaction. Does that sound about right?

Ken

9/15/2015 09:36:03 am

Hi Jay,
You are correct that the hemihydrate has converted to the dihydrate and will no longer be reactive to water and will remain the dihydrate until a lot of heat converts it back to the hemihydrate. The lattice is discontinuous and is forming small particles. Time to redo! I am curious as to the reason for such a high ratio of sand. I would appreciate your observation about the finished cast strength with the sand. Thanks, Ken.

banumathi.kalyanam

9/26/2015 10:18:42 pm

I need to melt pop hardended idol..can you help me

Ken

9/27/2015 09:41:15 am

Plaster of Paris cannot be melted easily as the temperatures required would be very high. If you want to dissolve it you could try very warm water with Sodium Bicarbonate (baking soda). It may be slow and may not work but it is a thought. Ken.

Arya

1/5/2018 03:41:29 am

Tamoor

10/17/2015 06:54:03 pm

Aoa
Ken
I want to make pop roof ceilling sheets ,but strengthen problem.
Plz tell me . How sheets strengthen
And reduce wait?
Thanks alot

Ken

10/18/2015 03:51:05 pm

Hi Tamoor,
Strengthen with Fiberglas window screen or regular Fiberglas. You could also use cloth like used cotton. Use hot water and the set time will be very short. Ken.

Hans Monsma

10/22/2015 12:58:44 pm

Hail the reader. I cast solid concrete pieces using a very dry mix (like the hollow building block manufacturers use), hoping to remove the mould directly after casting, allowing me to make 8 or 10 castings daily. My moulds are steel. My mix is 3:1 sand cement, I add polyprop strands - very short to get a good binding as well. At this stage it seems a bit of a hit and miss process for me, some stay beautifully in the cast shape - others, using the same mix simply fall apart when removing the mould. It looks that I need a more clay like mix - or a very fast drying mix which will allow me to remove the product from the mould within say 30 mins of casting. It need not be dry at that stage, but sturdy enough to be self supporting- not quite so crumbly. I have thought of using some POP (say 3 sand 1 cement and 1 POP. Alternatively using 1part tile adhesive into the mix. Any ideas please - I can submit a photo with sizes of the casting if you allow me excess to your email.
thank you
Hans

Ken

10/23/2015 10:10:25 am

Hans,
This is certainly an interesting problem with no clear answer. The first thought that I have is that some are fine and others not. So, the question is why are some casts correct and others failing? I would suggest that there are two distinct possibilities. The first is the distribution of whatever water is in the mix. The reaction for curing concrete is dependent on sufficient wetting. Second, is there some reason that the mold is inhibiting the cure? I would guess that adding POP is not going to help due to the fact that there is not enough and it would simply act as a filler. Similarly, the tile adhesive would probably cause more problems. I think that the water distribution is the most likely problem. Sorry that I can't be of more help. Ken.

Maggie

10/29/2015 07:26:11 am

Hi....I'm wanting to make some sweet trees and they've to be in glass jars. Will the plaster of Paris when it expands break the glass? or could I use building plaster.Its to fix the dowelling into the jar. Thank you.

Ken

10/29/2015 09:49:04 am

Hi Maggie,
I had previously answered this question for Debbie and I suspect that it applies to your application:
Since the rate of expansion is so low, less that 1/10 0f 1 percent, I would guess that it would not break glass. However, there is also a thermal consideration. POP heats up as it sets and that may induce fracture but again, I think it unlikely. Of course, it may depend on the glass. Also, there will be a long cure time as the excess water has less surface area to escape. I think that the best course of action is to try a small experiment with the kind of glass that you plan to use. And, let us know what you discover. Let's add to the information, thanks, Ken.

Lawrence Toms link

11/3/2015 03:12:08 am

When using glass fibres to reinforce the finished set, what is the recommended recipe/ratio please?

Ken

11/3/2015 10:15:06 am

Hi Lawrence,
To my knowledge there are no specific ratios for re-enforcement as there are variables to consider. The most important is the length of the fibers. Long glass fiber would be less than short pieces. My own recommendation would be around 5 % of short pieces and perhaps 2 % of long strands. But, the fiber should be oil and lubricant free so a quick rinse in isopropyl alcohol would be appropriate. Thanks for the question, Ken.

Motanache

11/5/2015 10:23:11 pm

Dear Ken,
You are a magician and a scientist. I try to make some stiff molds that also do not set too quick and the information you posted is invaluable. Thank you so much for educating me.

arun

11/20/2015 12:08:56 am

what is the time require to heat the gypsum (120 degree celcius) to pop

Ken

11/20/2015 10:08:23 am

Arun,
Based on my experiments it takes about 1 hour at 120 C (248 F) to remove approximately 3/4 of the water which is what commercial POP contains. It will become water-free (anhydrous) over several hours. POP made from the anhydrous sets more slowly but is a bit stronger. Ken.

Bronwyn

11/26/2015 09:11:58 am

Hi Ken. I'm a teacher creating school project which is a large stone /Boulder replica to go outdoors. Around the mold I am going to use fibreglass tape then plaster of Paris Because it's for the outdoors I want a layer of concrete. Will this combination work? Many thanks

Ken

11/26/2015 03:37:14 pm

Hi Bronwyn,
If I understand correctly the question is, will concrete adhere to POP and the answer is yes but Portland cement can also be incorporated into the POP mix. I assume that you have considered simply over-coating with a suitable color tint epoxy or other external protection. If I am going down a rabbit hole just let me know! Thanks, Ken.

Rubi

12/3/2015 03:31:05 am

I want to color the plaster of Paris with acrylic paints paste it on the wall and push pebbles into it then wen dry coat with acrylic sealer will this work?

Ken

12/3/2015 03:41:35 pm

Hi Rubi,
It should work just fine but pre-test the acrylic paint to make sure that it does not cause the POP to set too quickly. Try a small amount to be sure. Good luck and thanks, Ken.

Lourens

12/4/2015 05:15:20 am

Hi,
I want to cast a pizza stone form gypsum (plaster of paris) Will it work and will it be safe to use as a pizza stone?

Thanks

Ken

12/4/2015 09:34:12 am

Lourens,
POP would be a poor choice for a pizza stone as the high temperature will cause the plaster to lose water and begin to crumble and decompose. Thanks for the question, Ken.

rafeeq ahmed

12/15/2015 06:53:15 am

Can POP used as coarse aggregate in concrete instead of jelly, if yes can pop attend more strength than usual concrete??

Ken

12/15/2015 09:53:58 am

My best thought is that POP would not be a very good aggregate it is very soft ( 1 on the mohs scale). This would be detrimental to the bond formed in the setting concrete. Ken.

Emily

12/16/2015 07:17:28 am

Hello, I am following instructions for a kids fresco art project using POP. Instructions call for pouring POP into a styrofoam tray(like a meat tray) waiting for it to set and then flipping it onto a flat surface to paint the bottom side of the plaster while it's still damp. The bottom side being curved and therefore more aesthetically pleasing to hang for display with the flat (top side) against the wall. No where can I find information as to how long it would take for the POP to set up in order for it to be handled this way. Can you give me an estimate please?

Ken

12/16/2015 09:09:38 am

Hi Emily,
As mentioned in the write up there is a difference between set and cure. You should be able to flip the cast in about 30 minutes or so. The POP will begin to feel cooler and is then set. But, full cure should be considered at 24 hours. Here is the way I would suggest the process: After 30 minutes put a flat piece over the top pf the tray and turn over and remove the tray. This will minimize the stress to the cast. Good luck, Ken.

Emily

12/16/2015 07:36:27 am

My other thought...could you make the molds ahead of time, and then spray them with water when you are ready to paint them? Or does it readily accept paint without it being wet?

Ken

12/16/2015 09:13:57 am

Hi again Emily,
The answer is yes to both questions. Since POP casts are not water soluble you can safely re-wet the surface and then paint. Or, the cast will be acceptable to paint unless extremely dry. Thanks, Ken.

SKA

12/29/2015 10:16:56 pm

what is the formulation for gypsum investment materials

Ken

12/30/2015 03:15:58 pm

SKA,
I am not able to provide and one particular formula for investment casting as it varies with the casting process and one binder may not work well with your intended process. I would suggest a search of the investment casting suppliers for some thoughts, Ken.

Alistair Phillips link

12/31/2015 01:19:19 am

I'm using a POP mold to cast a wax bust preparatory to casting in bronze using the lost wax process. The problem is that because the mold is so hard and rigid I cannot separate the wax from the mold without breakage. I have thought of immersing the POP mold complete with wax into water, would this work or is there something I could add to the POP before mixing so that it would break down in water.

Ken

12/31/2015 09:44:23 am

Hi Alistair,
Since POP is not water soluble, and the cure actually requires hydration, it will not re-dissolve. However I do have a thought. POP is porous and will retain water in the pores so what if you soaked in water to saturate and then placed in the freezer. It may cause the POP to fracture but would not harm the wax. It is a long-shot but perhaps worth a try. There are materials that will weaken the crystal structure but it will take some experiments and some research to find the right combination. I would think that this might be tough to do easily. Keep us posted and thanks, Ken.

Curt

1/13/2016 06:36:59 am

I have been working on an art project and mistakenly used a 1:1 ratio of POP and water. The set time was the same but the cure time seams longer. Should I scape it and start over?

Ken

1/13/2016 09:21:42 am

Hi Curt,
The cure time is longer because it is more difficult for the cast to release the excess of water. The only downside I can think of is that the crystal structure may be less than optimal and may be slightly more fragile. Depending on the end use and material used I would probably re-do. But, that is your call based on the desired result. Ken.

rinzin

1/17/2016 09:17:15 pm

Hi sir
Thanks for your post formally...i heard and have seen in some source that acids are been used for the setting property...and currently in some of the PoP plant, I
have seen citric acid has been using wherby tartaric acid is also recommented...what will be the difference in using those two acids

Ken

1/18/2016 09:29:59 am

Rinzin,
Both citric and tartaric acid are organic acids that slow the cure time. But, the addition may cause the crystal structure to be changed and result in a weaker cast. To slow down the set time I use cold water and that works fairly well. Thanks for the comment and question, Ken.

Chris

1/22/2016 06:05:58 pm

Hi Ken,
Thanks for answering everyone's questions!
I would like to use pop or pop with waterbased latex paint to paint over the old fashioned and unsightly 12x12 tiles on my zero-clearance fireplace surround.
My questions are...
Will pop stick to clean smooth tiles?
Can I put it on thick. In order to cover the spaced between the tiles so that it looks like one piece?
Although I never use the fireplace, except for once to test it...the surround did not get very hot at all. The tiles are on the outside and never exposed to flames. I am assuming it safe to use on the tiles? Looking forward to your reply. Thanks so much!

Ken

1/23/2016 11:22:39 am

Hi Chris,
POP is a very poor adhesive and particularly on vertical surfaces it will typically fail. But, for that matter, latex paint has the same problem. POP adheres best to porous surfaces where it can get a bite and hang on. But in a vertical position the weight and crystal structure makes adhesion difficult. My best suggestion is to do a search for "tile surface adhesives" and then perhaps a color can be added. Sorry for the bad news but the chemistry and physics are hard to defy. Thanks for the question and I hope that this helps, Ken.

Chris

1/23/2016 11:48:29 am

Hi Ken!
Thank you so much for that info. Makes sense...chemistry will always trump.
The reason I came up with pop for the tile surround is because apparently chalk paint (not chalkboard paint) which has become so popular recently, is made with pop and paint already pre-mixed. Chalk paint, according to to many, can adhere to any surface without priming. Would it help if the tile surface were to be primed with something like Kilz primer, which is supposed to help adhesion? Thanks again!

allan

6/30/2016 01:56:04 am

can't you go to store and buy special primer that is used to prime tiles before plasteting with proper plaster or stucco.
there are also tile glues that stick strongly to old tiles so you can re-tile the surface.
or you can covers the tiles with thin layer of the tile-glue and then replaster the surface

Suresh VG link

2/8/2016 08:58:08 pm

Hi Ken,

Can you name the retarder that can be mixed with POP and which is available in India. Also the method to use the retarder.

Your answers to questions are so much informative it makes the use of POP very simpler.

Thanks Suresh

Ken

2/9/2016 10:59:45 am

Hi Suresh,
There are easy to find chemicals like vinegar and citric acid that can be used but they can also change the finished product by causing crystallization problems. My suggestion would be to use very cold water or an excess of water to slow down the set. But the best way to do it would be to find a product there that already had a retarder in it as it would be more likely to be successful. Good luck in your search, Ken.

suresh vg link

2/9/2016 11:17:05 pm

Hi Ken,
Thank you very much. I shall try the cold water.

Suresh

jjensen

2/23/2016 10:42:39 am

Hi, im a newbe here. Im making a forge to melt gold ore. Ive been using plaster of paris as a heat insulator and after a couple of heats it breaks apart. My question is will sand make it stronger and more heat resistant. I need it to stand up to around 2, 200º F or do you know of anything that would work. Thank you much

Ken

2/23/2016 04:31:37 pm

jjensen,
Unfortunately in the process of heating POP you are removing the water that makes it the dihydrate and going back to the hemihydrate and there is no way to avoid the change. You should try a refractory cement available in most hardware stores and Home Depot, Lowes, etc. Hope that this helps, Ken.

karin

2/23/2016 10:35:37 pm

Hi, i am trying to cast scrolls that i want to then stick onto my dresser and then paint. but i am srugling to get it out of the molds without pieces breaking. i have used castning rubber , and also candle wax to form the molds. some are 10 cm in lengh x 1cm in thichness,and others are 30 x 1 cm .please help.i have tried spraying cook and spray before i pour the plaster of paris into the molds ,and tried less water as well as more water

Ken

2/24/2016 03:29:05 pm

Hi karin,
Wax should be fine but you may want to chill the mold before pouring the POP as it is exothermic and may be warming the wax too much. I believe that the breakage is due simply to the fact that the piece is thin and somewhat fragile. I would suggest using Fiberglas threads that are sold in auto stores and hardware stores as re-enforcement. Gauze pieces could also work but most of all, make certain that the piece is cured completely and not just set. This means 24 hours or more to let all excess water leave. Good luck, Ken.

karin

2/24/2016 11:10:03 pm

thx Ken , i realised that i have been mixing tht pop wrong and from now on will do it your way. have a nice day

suresh VG link

2/24/2016 02:36:56 am

Hi Ken,
I am planning to make a block of POP having 1000 mm length, 300 mm height and 150 mm width. This will have inside designs also.
(1) How long the POP should be kept in the mould to properly set ?.
(2) Any precaution to be taken before taking out of the mould ?.
(3) Also I am expecting the moulding process will take 30 minutes to complete. Is it possible to complete the
process with cold water alone ?. Can I use ice cubes to make the water more colder than normal temperature so that I will get more setting time?

Please advice
Thanks
Suresh

Ken

2/25/2016 03:44:35 pm

suresh VG,
You can use ice water to slow the set time but the remainder of the questions are dependent on many variables. The time to de-mold will depend on the air temperature and humidity. Dry, hot temps will be shorter. But, this is a large cast so I would let it set as long as you can allow. The cast will be weak until cured so handle it carefully so as not to break it before it is fully cured which could take at least 24 hours or more. Ken.

suresh VG link

2/25/2016 08:45:23 pm

Hi Ken,
Thank you very much.

Suresh

Bonnie

3/26/2016 06:29:52 am

Hi Ken,
Thank you for the information. I'm trying to find a way to make a mold out of an impression in cement. My siblings and I all made handprints in the cement at my mom's house and she's moving soon. I'd like to make a mold of it and give it to her as a gift.

I've been told by some people that Plaster of Paris would work for this, but I'm hesitant to do this as the concrete is porous and I'm concerned I wouldn't be able to get the cast out once it is set. Vaseline has been suggested as a base prior to laying the plaster, but I wanted to know your opinion. Do you have any information about this?

Thank you in advance!

Ken

3/26/2016 09:54:52 am

Hey Bonnie,
You are absolutely correct that the porous cement would not release the POP. Depending on several factors including sentimentality, cost, and time, there are at least two good approaches. The first would be to use a two-part Silicone molding material (RTV) and cast a positive mold, remove, and make a POP negative mold as the original is and no release material would be needed for either step. The second would be to use a vegetable oil like Wesson or other cooking oil and lubricate the concrete with it to fill the pores and make the surface hydrophobic. But, there are some caveats here. If the pores are large and relatively deep and dry, it may take more than one application of oil to work. I would suggest that you try a small sample in the concrete nearby. A third possibility would be to use something like Play Doh clay and make a positive with that and then cast the negative with POP. A fourth alternative would be to use the reusable casting material that I show how to make. Just type "mold" in the search box on any of my pages and the post will be listed. The Vaseline may work as it is hydrophobic. but it may obscure detail and is difficult to clean up. Hope this helps, Ken. PS: Let us know what you did and how it worked to expand our information.

Marty

3/27/2016 03:48:31 pm

Ken,
Thanks for you informative video and answers.
Is the POP structurally and chemically done before the full curing? I know that the curing gets rid of the excess water, but is the material done changing? I ask because I have an unusual application. I attach wires to 1/4" grids like in your video and embed them in POP. I place this in the soil and measure the electrical resistance between grids in order to gauge soil water content (for irrigation). The POP isolates the grids from the salts in the soil that would uncontrollably skew measurements. My procedure is to cure the sensor, then soak it in water and place it in the soil. After a couple of weeks it will dry to the soil water level and track it. I am wondering if I can skip the full curing step.

Ken

3/28/2016 04:17:06 pm

Hi Marty,
The cure time is a bit more than just clearing excess water and is more about the crystal structure becoming monoclinic. The problem is knowing when the interstitial areas have been filled and the crystalline structure locked in. One way to approximate knowing this is to take your electrode when set (~30 minutes) and weigh it. Then weigh it again every hour or so until the weight reaches a plateau. All of any remaining water will be truly excess but the cure is complete. I guess that my best recommendation is to give it at least 12 hours or until clearly white to be certain before adding the water and putting in the soil. Good luck, Ken.

Marty

3/28/2016 06:10:24 pm

Thanks, Ken, that's exactly what I was curious about. Also your explanation makes clearer why a slower cure is better than, for example, putting it out in the sun.

jyoti

3/30/2016 02:03:57 am

dear sir, plz tell me asap if i can use pop for making sculpture,can it be knead like dough or will solidify before work,

Ken

3/30/2016 09:26:40 am

Jyoti,
No, Plaster of Paris is either wet or it is set and can not be kneaded like dough. Thanks, Ken.

Anamika

4/3/2016 08:35:52 am

Hi. My questions were already answered here. I am happy to see that a POP discussion has been going on for over 2 years!

JenA

4/8/2016 06:27:19 am

Hi Ken, I appreciate your taking the time to answer people's questions! Anyhow, I am looking into the best way to affix a lot of shells to a wooden end table that I have already sanded. I was thinking of applying a thinned out layer of POP to the entire table, letting that dry, and then eventually adding more layers of POP, mixed with the normal ratios, when adding the shells, so as to hold them in place. Or, I could just prime the table and only use the POP to affix the shells in place. Any advice? Thanks!

Ken

4/8/2016 10:49:24 am

Hi JenA,
In order to answer this question it would help me to know how you will prime the table before adding any POP. The adhesion of POP to wood is virtually non-existent unless you are depending on just the weight of the plaster. I have some ideas about how I would do it but please let me know what you have planned. Ken.

JenA

4/8/2016 03:03:39 pm

Hi Ken, Thanks for the response. I was thinking of just priming the table (legs and all) with white colored primer paint. After it dries I could then possibly apply the POP and embed shells in it before it dries? Perhaps this is not the right approach - I just have seen some pretty neat tables where POP seems like it was used to hold in the shells, but perhaps it was some other sort of fixative.

Ken

4/8/2016 03:58:29 pm

JenA,
I suspect that POP over a paint primed surface will have very poor adhesion but if not disturbed will probably stay attached. The water would migrate into to the wood and the crystal structure would be so hard that it would fail. I would think that a mechanical approach might be better. If you staple either Fiberglas or metal window screen to the top and then used POP it would have a surface to hold on to. Another possibility would be 1/8 inch or even 1/4 in hardware cloth (zinc coated metal). Another possibility would be to use tile cement (Thin-set) instead of POP. This would give you longer working time as POP might get hard before you placed all of the shells. Hope that this helps, Ken.

JenA

4/8/2016 04:41:22 pm

Hi Ken, this really does help, thanks so much. My late dad was a chemist and I appreciate you taking the time to share your knowledge, as I cannot ask him anymore. Have a great day!

Yvonne

4/11/2016 07:45:03 pm

A question and a comment

Question: I plaster equally strong whether it's mixed thin or thick? I am using it to glue marbles & glass pebbles. I'm starting with pots just to get my bearings and moving on to cement stair risers. It works pretty well thickly, but I would like to increase the setting times, so I am wondering whether the result will be just as strong with a thinner mix.

Comment:For coloring, I used Universal Pigments--they're the same kind of pigments they use in paint stores for coloring the paints. I own a full set and it gives me a great feeling of freedom. If I order a paint that's not exactly to my liking, I can always adjust it. They really are universal ! And they mix in with ease.

Ken

4/12/2016 10:11:57 am

Hi Yvonne,
You can add a little more water safely but the risk is that too much water changes the crystal structure and makes POP weaker. The fact is that although stiff is a little more difficult it makes a better product. The happy medium is a cream like consistency. However, if you use really cold water, refrigerated, it will slow the set time. POP is also available with retarders added. Thanks for the coloring tip, Ken.

Yvonne

4/12/2016 01:35:00 pm

Just tried another suggestion. Joint compound. Now that I know the chemicals of POP from you, it seems it is a mixture of POP or something similar, and silicon, which was the other suggested thing to use. So far, much easier than mixing up little portions of POP and seems to be working. I'll see when it's hardened.

Ken

4/12/2016 03:35:07 pm

Hey Yvonne,
I would question the use of joint compound as it become dry and powder-like. It is easy to sand when feathering and is typically protected by a coat of paint. So, I am not certain that it would be a good adhesive. One of the suggestions I had for a previous question from JenA was to use tile adhesive (Thin-set) as it is an adhesive, provides a good working time, and is inexpensive. Although silicone might be OK but stays flexible and does not get hard. Just a thought. Ken.

Yvonne

4/12/2016 04:14:52 pm

P.S. Any way I can send you a picture when done?

Yvonne

4/12/2016 04:13:33 pm

First wanted to tell you that your tip worked like magic !!! I used the joint compound because on another site, someone said they used it to affix pebbles to a fireplace & four years later they were still up. I used the joint compound on most of it and washed off the excess a few hours later. Only a few of the glass pebbles fell off, which is the same success I had with plaster. Then, for the heavier marbles which the joint compound wouldn't hold, I mixed up a super-thick plaster using refrigerated water, as you suggested. I couldn't believe how long I could work before the plaster set. I'm not sure whether the last few pieces will hold, as the plaster may have been setting, but with such a thick mixture, it's hard to tell. No heat.

After I finish, I intend to made a tinted plaster "grout" so that should serve the same purpose as painting the joint compound (I think) Anyhow, as I said, when I washed the surface, 99% if the glass pieces held. Wish me luck !

Ken

4/12/2016 04:53:46 pm

Yvonne,
Well, I am always ready to be amazed and surprised and it sounds as if you have a system well in hand. Let's hope that it is permanent and provides good information for others. You can always send a photo to my email at: ken.quast@gmail.com. Thanks for the update, Ken.

Rai

4/14/2016 04:17:59 am

I just wanna make a new born baby sculpture or figurine by using POP with natural skin tone color. Don't wanna paint after casting the figurine. Of course the figurine has last for long time with out any stress or airline cracks on it during the cold season as well. Could you write something that can be great to me.

Cam

4/15/2016 09:04:58 pm

Hey, I have some quickset plaster and some of the normal version from a hardware store, do you know if the strength properties are different and if the normal plaster, although takes longer to set, is stronger than the quickset in the long run?

Ken

4/16/2016 09:26:24 am

Cam,
Under the same conditions both will crystallize in the same way and have the same expansion and strength and the hardness remains a 2 on the Mohs scale. Both are interchangeable. Hope this helps. Ken.

sanjeev link

4/20/2016 03:35:01 am

does mixing baking soda with plaster of paris make it stronger and waterproof for outdoor use. I mixed a little baking soda with plaster of paris and applied it outside walls of my house to repair cement. It is still strong and the rains have not softened or damaged or dislodged it at all

Ken

4/20/2016 09:15:26 am

Sanjeev,
There is no evidence that baking soda improves POP in either strength or water resistance. POP is already insoluble in water when cured. Too much baking soda might change the crystal structure and cause weakness eventually. Ken.

Dhawal

4/22/2016 06:59:28 am

Dear Ken
Wonderful article.
I am a builder in india and I have built brick walls in residential project. To finish them from inside, I do not want to go for sand plaster.
I checked with local manufacturers here , I have alternative of putting up putty ( 4 coats - 2 coat course putty and 2 course fine putty ). However, because of unevenness of bricks , huge putty is required. SO instead I went for POP - 1 coat. I have 2 questions in this scenario -
1. Can I add any waterproofing solution in POP so that my walls will not show leakage in future?
2. I have added crushed sand in the POP. Will that have any adverse effect?

Thanks in advance.

Ken

4/22/2016 03:41:29 pm

Hi Dhawal,
Too much sand will cause the POP to crystallize and cure insufficiently so try to limit the sand content. My recommendation for waterproofing would be to coat the cured POP with a paint-like material to fill the pores. POP is already water insoluble so leakage should not be a problem. Good luck, Ken.

Prashanth

5/7/2016 07:22:44 am

Hello Ken.
I am doing a project on a helmet. I am using a part of a helmet shell as the mold and want a same shaped part in pop.I would like to know which material is better to increase the strength of the pop mixture in this case - gauze bandage or coconut fibers?
What would be the ideal ratio of powder and water?
What can I do to make the mixture stick to the helmet shell because I doubt that when I apply the paste,It will slide down the helmet shell due to the curvature.

Ken

5/7/2016 03:35:19 pm

Hi Prashanth,
I would use gauze bandage in the standard 2:1 ratio and as I did in the video, saturate the gauze and lay the strips over the helmet until it was covered. Then, a straight mix could be added for thickness without slipping. The other possibility would be to use a disposable plastic container big enough to hold the helmet and fill part way with the POP. Put the helmet in upside down and you will get a negative mold. Good luck, Ken.

Prashanth

5/7/2016 09:02:34 pm

I am coating the pop on the outside of the shell. I want a good finish on inside of the pop part and want to use this pop part as a mold to make a helmet shell from composites.
What releasing agent can i use?And how to obtain a fairly good finish?

Ken

5/9/2016 10:19:26 am

Prashanth,
You may not need a release agent but if you do, a silicone spray would be best. Vegetable oil would work as well. Try some experiments to test. Ken.

Kenneth

5/11/2016 11:22:37 am

Hi there! I recently poured a number of POP molds & accidentally used a ratio of about 1:1 POP to water. There was a little water on top when poured, & was slow to harden up, but did cure & come out of the mold with nice detail. After about a day, they are still a bit damp, & a bit soft when I press on them hard. Are they doomed do you think? Or is there a way to evaporate the extra water, & possibly reinforce them? The molds are gone now, so we would have to cast new molds from these pieces & then repour plaster in the new molds... a pain, to say the least! Any ideas?

Kenneth

5/11/2016 11:31:19 am

I should add, the 1:1 ratio was by VOLUME, not weight, so my hope is that it wasn't as far off as I've feared? & it's only been a day, so is it possible that some of the softness is just due to them not being fully cured?

Ken

5/11/2016 04:26:43 pm

Hi Kenneth,
Even at 1:1 volume it has an excess of water and will cure and be very soft and crumbly. But heating will make it worse as it will revert some of the calcium sulfate to the hemihydrate making it even softer. My best guess would be to let it cure at room temperature and see how soft it really is. If it too soft then saturate it with dilute polyvinyl acetate, (Elmer's glue) to fill the pores and strengthen and make new molds. At least you have molds to work with. Best, Ken.

Bob

5/13/2016 08:57:12 am

How about its use to fix cracks in a plaster ceiling. Will it work over a long period of time? Also, I've got a bag that has been sitting for three years. Is the product still usuable? Thanks. Bob

Ken

5/13/2016 04:25:47 pm

Hello Bob,
My preference for the ceiling cracks would be joint compound. Although it contains gypsum, it has longer set time, better adhesion, and is easier to use and can be sanded and feathered for painting. Same hardness as POP at 2 on the mohs scale. The three year old bag has possibly picked up water as POP is deliquescent. If it is soft and unchanged it should be fine. But, it may be hard and already reacted. It will store over time but only if it is really sealed up from the environment. Check and test a small sample. Ken.

Greg

5/29/2016 10:34:32 pm

Hi Ken,
I am making little statues out of POP. I have a silicone mould that I pour and set them in. However painting them after is always a struggle. I tend to find the acryllic paints do not stick to the POP. will often bubble and peel off. What can I do to not have this happen?

Ken

5/30/2016 05:10:53 pm

Hi Greg,
The first thing that I think may be that the POP is not fully cured and the mold is still releasing water. I am assuming that you are not using a mold release as none is needed with RTV. If you are using your own with caulk then it could be acetic acid. POP is very porous and should accept acrylic paint with no problem. Let me know if either of these conditions apply. Thanks, Ken.

Stephen Coleman

6/15/2016 09:59:41 pm

I'm working with POP for the first time making a mould with about 3 sq.ft. surface. The POP sets far too fast and when I mix a second batch into the same bucket it sets within 3 minutes. The POP comes from China and is the only POP I can get in this area. This forces me to make the mould into 4 layers, I can't make it in one attempt. Cold water is out of the question as I am in the humid tropics and refrigeration is unavailable. The temperature from my well water is 84 degrees F.

Kari

8/2/2016 03:07:20 am

Hi, I have a plaster of Paris mould which has had washing soda spilt on it. The plaster mould is now slowly disintegrating. Any ideas on how I can stop the process?
Thanks

Ken

8/2/2016 11:36:30 am

Hi Kari,
The easiest way to stop the damage would be to submerge the mold in water to remove the sodium carbonate since it is water soluble and the cured plaster is not soluble. Then let the mold dry (dehydrate) and the damage should be stopped. Alternatively, a dilute solution of vinegar would react with the sodium carbonate diluting its damage to the mold. Hope that this is helpful, Ken.

Debbie

8/4/2016 02:16:02 pm

Hi Ken, some friends and I want to get together to make a picture we've seen. It looks like you take a canvas, pour plaster of Paris on, then write a quote in it, draw a simple picture then paint this with

Ken

8/5/2016 11:09:25 am

Debbie,
Please finish your question and I will try to provide an answer, Ken.

Sam

8/5/2016 07:15:06 pm

G'day mate,
My son is involved in a school challenge with limited materials, one of which is Plaster of Paris. The challenge is to make a machine and in his design a flywheel is required.
We have tested the design using a push bike wheel and 5 kg of extra weight added with great success. Now we need to build with the allowable materials.
My question is mainly one of chemical reinforced plaster.

Ken

8/6/2016 09:19:32 am

Hey Sam,
If I understand correctly you want to use POP as the flywheel and need to make it stronger or more durable. What I am not clear about is what you mean by chemical re-enforcement. And, are modifications to the plaster within the challenge? Thanks, Ken.

Sam

8/8/2016 04:59:10 pm

Ken, Chem strengthening by way of PVA or admix. We have an admiix for concrete products- Bondall "Bondcrete". I'm about to begin scaled tests and advice on quantities would help.
Also what is the weight ratio from initial mixture to cured product? If we use 1kg of POP powder do we have 1kg after curing? What factors effect this ratio? water to POP?
Cheers, SAM>>>

Ken

8/9/2016 09:56:05 am

Sam,
Actually POP is fairly strong but the problem is in the softness (2 on the mohs scale) and a 5 % admix will help. What may be better would be to put the flywheel in a dilute solution of Elmer's glue (PVA) and let it fill any interstitial voids and coat the outside. Just a thought. With regard to the weight, most of the water enters into the reaction to make the hemi-hydrate and the left over water is statistically irrelevant. The caveat here is that this is true if mixed in the 2:1 ratio. Good luck, Ken.

ANIL

8/17/2016 01:48:02 am

Hi
Very informative site. What is the best drying conditions of the plaster mold??We found some times long last, some time very short. what are the reasons

Ken

8/17/2016 04:11:57 pm

Anil,
The two determining factors assuming that the mix was correct at 2:1, are the room temperature and the humidity. If it is very cool or very humid the water will evaporate more slowly. Warm and dry is the quickest condition for the cure as well as time. Ken.

Anil

8/17/2016 07:44:16 pm

Hi Ken
Thanks for the prompt reply, how we know the mold is completely dried ?when you say 2:1 is plaster and water ratio ?

ALVIN

8/18/2016 01:59:02 pm

HIE
i need to make dustless chalk using pop how do i go about it

Ken

8/18/2016 04:00:52 pm

Alvin,
POP is not used as a chalk so it won't work. The primary ingredient is calcium carbonate. But all chalk has some dust. Google search for "make your own chalk at home" for some ideas. Ken.

Ken

8/18/2016 03:56:42 pm

Anil,
The best way to know when the POP is fully cured is to weigh the mold periodically and when the weight no longer goes down it is fully cured. Watch the first minutes of the video and you will see that it is two parts POP (dry volume) to 1 part water, (wet volume). Ken.

Anil

9/16/2016 07:43:18 pm

Thanks Ken
We found difficulty in take out the mold from the mother mold ( both are plaster of paris ). We tried varsaline, then it affect the surface of the mold ( not smooth), any alternative?? Also we found that if the setting time is more , more difficult to remove the mold. Please advise
Thanks in advance
Anil

Ken

9/17/2016 09:42:01 am

Anil,
Plaster on plaster is not always easy to do but as below, I would suggest cooking oil or olive oil. I don't really know of other materials suitable for release. Ken.

Sam

8/18/2016 07:35:28 pm

Hey Ken,
Results from testing the addition of PVA or Admix to the water in POP concluded that Admix created excessive bubbles even in low dilution ratios. PVA was used up to 50% with water in 2:1 POP mixes with 18% improvement during destructive impact tests. Best results were from 10% PVA for economy and added strength. The most noteworthy point is that PVA eradicated virtually all bubbles and produced a remarkably perfect, non chalky smooth exterior.

Ken

8/19/2016 10:38:07 am

Hi Sam,
Thanks for the added information but some clarification would be helpful. Was the PVA (polyvinyl acetate) in the form of Elmer's glue or similar, or was it a solid? The reason that I ask is that Elmer's glue is typically about 40 % solids (PVA) and that would be what was added as your 10 %. Thanks again, Ken.
NOTE: I did a video on the determination of percent solids if anyone is interested in knowing how to find the amount of solids in a solution or emulsion here:
http://www.observationsblog.com/sciencetechnologyexperiments/percent-solids-determination-and-homemade-weighing-cups

ahmad

9/13/2016 11:21:29 am

Hi ken. I've read all above and found it very helpfull. Please I want more clarification on the issue of pop mixed with Portland cement. I have been using it recently and it is wotking fine. What I am concerned about is how durable will it be in exterior applications. Being under climate changes and stuff. Thanx a lot for ur article it was very very helpfull

Ken

9/14/2016 09:25:12 am

Ahmad,
The finished product is still relatively soft and I would recommend a coating of either clear or a paint of some kind to protect the surface. Thanks, Ken.

ahmad

9/16/2016 03:36:06 pm

Thanks alot sir much appretiated

pramod link

9/16/2016 05:54:28 am

Hi,
I would like to know best parting agent in available in India and can I make single mould for a wooden shape bottle which is with me .

Ken

9/16/2016 03:33:59 pm

Pramod,
Vaseline, also called petroleum jelly will work and any vegetable or cooking oil like olive oil will also be a good release agent and they are available everywhere, Thanks, Ken.

Angel

9/19/2016 12:40:49 pm

Hi!! I am using pop to make baby foot print. I am using clay to make the impression and pour pop into it. After some 12 hrs when I try to remove the mould it breaks into pieces. Please suggest

Ken

9/19/2016 04:54:15 pm

Hello Angel,
I have some thoughts but first some questions: Did the POP release from the clay or did it seem to stick? Was the POP very thin? Did you reinforce the POP with something like gauze bandage to give it some strength? Was the POP mixed at the 2:1 ratio needed for best results? One thought that I had was that the POP had no way to release water against the clay and 12 hours may not have been long enough. Let me know what you have done and we can fix the problem. Thanks, Ken.

Angel

9/21/2016 11:42:58 am

Answering your questions first. Ya POP mould is perfectly released from the clay. Ya it is slightly thin. Small layer. Like a bread. I dint use any guaze. And I mixed it with the same proportion 2:1. Before using clay I tried dough. In which the POP is not getting dried soon. It's still wet. Not able to take the mould out. Please advice.

Ken

9/21/2016 04:19:44 pm

Angel,
Something is terribly wrong if the the material is truly Plaster of Paris and is mixed with two parts plaster to one part water. It should set in thirty to 40 minutes and mostly cure overnight. The fact that it is still wet causes me to think that there is an excess of water. Try making a small batch and pouring it on a surface like waxed paper or parchment paper and see if the same thing happens. Ken.

Kenneth link

10/1/2016 12:40:56 am

Will Adding powdered porcelain strengthen the mix.

Ken

10/2/2016 09:55:44 am

Hi Kenneth,
In my estimation porcelain would act as only as a filler and would possibly weaken the crystal structure and personally I would be cautious. Thanks for the question, Ken.

Carolyn

10/7/2016 10:22:15 pm

Hi Ken,
Once molds out of POP are cured and hardened, would they be toxic, if food like dough would get in touch with i for roughly 30seconds, no heat involved at all. If it would be toxic is there a food safe coating possible. Cheers

Ken

10/8/2016 09:55:43 am

Hi Carolyn,
POP is calcium sulfate and the USDA considers it generally recognized as safe. It is actually used in tofu as a coagulant and in other foods as a calcium supplement. The only problem may be in the softness of the POP and flaking of the surface but that seems remote. A good coating would be paraffin wax as it is considered very safe for food contact. Hope that this helps, Ken.

Carolyn

10/8/2016 04:12:42 pm

Thank you Ken, for the prompt reply, much appreciated :-)
Carolyn

mosaad bakr link

10/11/2016 07:54:47 am

adebayo olufemi adegoke

10/13/2016 05:06:50 am

please is reinforced pop suitable for dental application? comment and contribution will be highly appreciated.

Ken

10/14/2016 10:58:01 am

adebayo olufemi adegoke,
Commercial POP has impurities and should not be used in medical internal applications. Additionally, the heat given off by the cure cans burn skin. There are dental cements designed for this application and would be the safe way to go. Thanks, Ken.

pramod link

10/26/2016 07:49:11 pm

Dear Ken,
I have used vaseline for mould release .POP released well and cured for 4 days.Now i am pouring slip but its getting absorbed to wall but not releasing even after hours .Washed the pop yesterday with soap to remove any trace of vaseline but no luck .Checked slip with other mould ,its working well .Please guide me in this .

Ken

10/28/2016 09:34:38 am

Hi Pramod,
If you are using the same POP and slip as you have used before and it is not working as well I would suspect that the POP was mixed differently and was more porous. The other possibility is that the defloculant is not working in the slip as well. Other than those two possibilities I have no real suggestion. Thanks, Ken.

Steve L

10/28/2016 10:57:24 am

Great dialog and consulting! Does anyone know how DAP FastPatch40 compares to the properties of PoP? I am going to make my first bas relief panel to be wall hung after completion. Thanks.

Ken

10/29/2016 10:35:41 am

Hi Steve,
The DAP Fastpatch series are really joint compounds that contain 50 to 70 % POP, and the remainder is limestone and quartz. It is not pourable like POP and sets very quickly! I am not sure how you plan to make the bas relief panel but I am not certain if the Fastpatch will work for you as well as POP. I guess that it is worth a try on a small scale though. Good question and thanks, Ken.

Emily

10/28/2016 12:48:55 pm

Hi Ken,
I am making some POP molds for a specific application and would like some advice on altering the properties. I need the molds to be less brittle (maybe even a bit elastic), but still maintain the same hardness. I would really appreciate any suggestions.

Ken

10/29/2016 10:47:31 am

Hi Emily,
To some degree the properties you seek are somewhat mutually exclusive. You can make it stronger with PVA (Elmer's glue) but it is not reasonable to expect any elasticity.The way POP sets with a mono crystalline structure prevents lateral movement. Perhaps there is another way or material that has some elastic properties. If we knew more about what you are trying to accomplish without being specific it would help. Sorry but thanks for the question, Ken.

Vidyuti

11/14/2016 02:22:30 am

Hey! I made my mold and I made mine with 4parts of pop to 2 parts of water. How much time should I give my POP mold to dry up when it's 29°C? Also is the glue necessary? I didn't add that. First time.

Ken

11/14/2016 09:36:10 am

Vidyuti,
24 hours should be fine for complete cure unless the surface area is very small. Any excess water has to be released and 24 hours is generally acceptable.The glue is not required. Thanks for the question, Ken.

ani

11/15/2016 02:01:20 am

Hi Ken
I must say a big thanks to you to share your knowledge .
Is the dryness of the POP mold is very important ?? We use POP mold to make latex products? If so who quickly we know drying is sufficient?
Thanks in advance

Ken

11/15/2016 09:53:50 am

Ani,
I would consider the dryness of the mold before casting extremely important and necessary for most casting materials. Generally speaking, 24 hours after making the plaster mold should be sufficient. But, gently warming can shorten the time. Thanks, Ken.

Anil

11/15/2016 04:41:04 pm

Dear Ken
Thanks so much for the prompt reply. but how quickly we know the dryness is enough, 24 hrs some time atmosphere temperatures low

shad

11/15/2016 05:53:45 am

Hi Ken,
I was wondering what to add to the Plaster of Paris to make it sturdier but lighter in weight? Without using cement.

Ken

11/15/2016 10:01:31 am

Shad,
That is a difficult question to answer as there are trade offs to consider. You can add Polyvinyl acetate (Elmer's Glue) as mentioned in several comments at say 10 % and it will be more resistant to breaking but not weigh less by much. Or you can add Fiberglas filler and weigh less but not have the same integrity. Perhaps someone else can add to this question. Thanks, Ken.

Ken

11/16/2016 03:20:20 pm

Anil,
There is one way to make sure that the mold is cured and free of water no matter what the temperature or humidity is. De mold the cast after 1 hour and weigh it. Weigh it several times over say 12 or 24 hours. When the weight no longer goes down the cast is cured and no water remains. Ken.

ANIL

11/16/2016 11:00:32 pm

THANKS KEN

Gurpreet Singh

11/17/2016 04:32:35 am

Sir,

I am working as a Keepsake artist. I am using POP for making 3D castings, but i am not sure about the life of these keepsakes. Some one suggested me to add hydro-stone to increase the strength and life of these keepsakes. Availability of hydro-stone is not easy here.
Can you please suggest me any other products or additives to increase the life and strength of the keepsakes without compromising/compensating the quality of the casting such as curves, scars and other tiny details etc.

Ken

11/18/2016 03:15:02 pm

Gurpreet,
The problem with POP is not the strength as it is structurally strong but it is soft and easily damaged. My suggestion is not to add another material but to coat the finished keepsake with a spray lacquer, varnish, or even a thin epoxy. Use something that is waterproof and can penetrate the pores and it should protect the item. Ken.

Anil

11/18/2016 07:15:21 pm

Dear Ken
When we use the POP mould to make latex toys , we can use the POP mold only 6 times , after that the POP materials the the fine projection are damaging !How to increase the life cycle of the POP mold ?
thanks in advance

Ken

11/20/2016 09:42:58 am

Anil,
Rather than modifying the POP I would think that the best approach might be to experiment with release agents instead. I am not sure what you use now but I would investigate there first. Ken.

Anil

11/20/2016 11:37:17 pm

Dear Ken
Thanks for the reply. We don.t use any release agent, it will affect the surface quality of the latex product
Regards

Gurpreet Singh

11/20/2016 09:21:20 pm

Dear Ken,
Thanks for your advice, could you please spare a few minutes from your precious time and have a look at our Facebook page named RG Impressions. I will be thankful if you go through the page and give some more suggestions to improve our products.

Dylan

11/21/2016 12:46:55 am

Hi ken. I'm using POP to fill up an empty soda can and inside I'm putting a plastic or glass jar. Will the jar be stuck in the POP when it sets? And can it be placed in the fridge and keep its structure any help is appreciated

Ken

11/22/2016 09:38:26 am

Dylan,
Most plastics and glass will release from POP as long as the shape does not trap it. But to be sure, you can coat the glass or plastic with a thin layer of cooking spray or vegetable oil. Yes it can be refrigerated but it will slow down the cure, Thanks, Ken.

Gurpreet Singh

11/22/2016 09:37:03 pm

Dear Ken,

Can you please suggest me how to join broken part of POP keepsake. I am having problem to join two figures with remaining part of hand. can you please suggest any glue or any other material to do so.

Ken

11/25/2016 04:43:29 pm

Gurpreet,
The best adhesive would be Elmer's glue (Polyvinyl Acetate). But there is a trick; wet the surfaces so that the water is not drawn from the glue. The other addition would be to drill small holes in both pieces and insert a small piece of wire to strengthen before gluing. Thanks, Ken

Frank

12/1/2016 11:25:49 am

Hi. I am planning to make a faux brick wall in my basement (on gypsum/drywall). I plan to apply POP (USG Durabond) to the wall and then draw in the brick pattern. See about 3min into this video. https://youtu.be/O2I0LE1RMRY

Should I add something to strengthen the mud? Will it crack? How thick can I apply the mud? Should I use something else? Any other suggestions?

Ken

12/3/2016 09:21:41 am

Hi Frank,
This looks like a very labor intensive process with the potential for mistakes in calculation. The Durabond should be fine but I would definitely stay in the 1/2 inch thickness. There should be no cracking, particularly if you will be adding a protective coat and it should be strong. If I were doing this I would go with a faux brick and Thinset with a notched trowel as in tile. I would also use a fine mist of water on the drywall to reduce the water leaving the adhesive. Good luck with this project, Ken.

Henry

12/4/2016 06:31:26 am

Hi. I want to know the effects of too much water and less water on pop mix

Ken

12/4/2016 08:22:32 am

Hello Henry,
Too much water will decrease viscosity and slow the cure depending on the excess. Too little water will cause poor crystal formation and a weak and brittle product. Ken.

Henry

12/4/2016 09:09:25 am

Thanks Ken. I really appreciate your answer

Matthew

12/6/2016 06:29:49 am

Hi, I need a little help…I'm using POP as insulation in a smelting furnace. I got the design for the furnace off a YouTube video but the temperatures that I'm using are causing the inside walls of the furnace to crack as I'm melting brass. The mix I'm using is 50/50 sand and plaster. I was just wondering if you know of a mix that'll give me better heat reflection and strength? I was going to use plaster bandages on the inside to add stability but fear they might combust as the inside of the furnace can reach temperatures hot enough to melt 6mm steel. Any help would be greatly appreciated, many thanks in advance.

Ken

12/6/2016 03:24:59 pm

Hi Matthew,
There are two problems to overcome. The first is that the heat will convert the POP (calcium sulfate dihydrate) back to the hemi-hydtate making it dry and friable. The sand will disrupt the crystal structure and again, weaken the cast. However, if you are already using this formula I would suggest lining the cast with a high temperature furnace cement available at most hardware sores. The plaster bandages will combust and not really add any strength. Best of luck with the project, Ken.

Matthew

12/6/2016 04:39:39 pm

Thanks for your help, I'll give it a go. Thanks again

Ram

12/15/2016 10:21:45 pm

Hi Ken I have some clarification about pop , I made a pop part with mixture of red oxide after setting it seems less weight and red pigment went out. Please suggest me how to increase density and strong red colour.

Ken

12/16/2016 05:44:30 pm

Ram,
I assume that when you say red oxide you mean iron oxide which will react wit the calcium sulfate POP. I would suggest a red dye for concrete or as other comments above have noted, there are other options. Thanks, Ken.

himanshu patel

1/25/2017 09:40:43 am

Hello sir
We are making plaster of Paris.
Now I want to make PLASTER for wall.will u tell me which chemical use for smooth finish.

1/26/2017 08:18:09 pm

I have a did-I-make-a-mistake question. For an ocean surface diorama, I made a 2:1 mix of POP & a liquid solution of RIT dye and water. As I was mixing, it seemed too stiff so I added more water. Then I filled in the diorama base to about 1/2 in. depth. Almost 36 hours later, it still feels very cold & damp and easily rubs off onto a dry cloth. Did I mess up or will it eventually harden?

Ken

1/27/2017 11:34:44 am

Hi LC,
The excess water will eventually exit but you will probably have a very friable and non-plaster matrix. The RIT solution will cause an interruption in the crystal lattice and cause stiffness which is why you had to add water. Perhaps you can add color with the dry RIT pigment but I have not tried it. I believe that it is back to the drawing board! Thanks for the question and caution for other readers, Ken.

junoberries

2/8/2017 06:23:37 am

gosh... where to start.. okay so I mixed the product with sand to make a thermal barrier for a bucket foundry and within hours my town had an unexpected snowstorm which dropped temperatures in my work space from a balmy 22 degrees Celsius to about twelve or so... not to mention people were coming and going from the work area which exposed the material to flashes of cold. now the mix has a crack that had formed and has retained amazing yet frustrating clay like properties which are expansive (it swells up a little hence the cracking) it's anyone's guess what happens now but im presuming that the cold and excess ambient moisture is the problem since it took about two days to harden to this state. to prevent any further cracking ive filled my form with sand to create some pressure against the inundation of moisture.

junoberries

2/8/2017 06:25:37 am

can someone help me figure out if there is a better way to do this during the winter time?

Gale

2/27/2017 04:44:02 pm

I install ceramic tile and I use the old method of a mud bed(plaster the wall, ceiling and floors) the wood fiber I'm using has gotten old and none is available as quick as I need it... can baking soda be used as a replacement and all come out ok?

Ken

2/28/2017 11:19:59 am

Hi Gale,
Unfortunately I am not sure what your question is, particular;y the use of wood fiber. Can you describe more so that I can answer effectively? Thanks, Ken.

Jill

3/6/2017 09:38:48 am

Hi Ken! First off, you are amazing for answering all these questions years after your original post! Thank you for that. I tried to read thru all of them to be sure I wasn't missing the answer I'm looking for. I make my own diy chalk paint with regular wall paint and a little POP and water mixed in to thicken it up. It makes it chalky and sands to a smooth finish. My question is I know there is concern with breathing in the dust. Because of that I wet distress. Which basically means I use a wet kitchen sponge to sand my dry painted pieces with so there is no dust. I'm wondering if I should be concerned about the wet POP being absorbed thru my skin? Or is it just breathing in the dry powder that is the issue? Any insight would be much appreciated. Thanks!

Ken

3/6/2017 04:16:16 pm

Hi Jill,
The only concern with POP (calcium sulfate) is in the dry powder and breathing it in causing respiratory distress. But that would be true for most dry powders. As far as your wet sanding with a sponge there is no problem with adsorption concerns with skin other than skin irritation. But, in the general making of the chalk ink there is not much POP anyway. To be safe, just wash your hands after and you should be safe, Thanks, Ken.

Mary

3/8/2017 10:33:43 pm

I have a few question about POP

Do I have to seal the POP before painting it?

Can you use house paint ( made to paint walls) to paint a POP Sculpture?

I made an half of an egg shape using POP. I would like to attach it permanently to wood/ bird nest to hang on the wall, Can you tell me what adhesive I should use to attach POP Sculptures it to such items?

Ken

3/9/2017 09:36:58 am

Hi Mary,
You can use standard latex or enamel paint to both seal and color the sculpture. However, I would thin the first coat to fill the pores and then the regular viscosity to final paint. I believe that the best adhesive for this case would be hot glue. But, pre-warm the plaster with a hair dryer so the the glue will get in the pores and not just the surface. Also, hold on to it long enough for it to get hard. Hope that this helps, Ken.

Mary

3/12/2017 04:03:51 am

Thanks Ken. I bought Murphy Soap Oil as a mold release for plastic mold. Do you know how I should apply it to the mold? Do it need to be completely dry before pouring in plaster of paris?

Ken

3/12/2017 09:33:19 am

Mary,
Most plastics do not require mold release as there is very little adhesive quality to POP if it is hard. And that is the key. If it has residual water it may be less likely to release but when it is dry and hard it will release. However, if you feel that it is useful to use the Murphy's I would use it sparingly with just a thin film. It may release easier even if it is not completely hard. It doesn't need to be completely dry. Ken.

Mary

3/16/2017 09:21:49 pm

For Bigger and thicker pieces, Do you think if I add Dowel Pins to the plaster while it is drying and then place the pin into the wood with using wood glue, it will be more permanent?

Ken

3/17/2017 09:39:59 am

Mary,
The idea of using dowels for strength is a good one under the right circumstances. But, I would suggest a modified approach. First, the dowel shafts are generally fairly smooth and if inserted into the POP while drying they may loosen and fall out. A better option would be to use a drill bit of correct size and make a hole after the POP is hard. POP is so soft you may be able to make the holes without a drill bit. But. the fit between the dowel shaft and the hole should be fairly tight. You can then use an adhesive to secure the dowel in the hole. Hope that this answers your question. Ken.

Mary

3/17/2017 11:57:45 am

Hi Ken
Thanks for all the help! Does this applies to plastic or metal wall anchors as well? Make a hole after the POP is hard and use adhesive to secure the anchor in the hole.

Ken

3/17/2017 03:24:59 pm

Hi Mary,
No, the hole is only necessary when you are using a smooth shaft item. The POP has nothing to grab onto so is able to slip out. But, metals with screws or anchors have surface areas that the POP can fasten itself to. Ken.

Mary

3/17/2017 04:11:34 pm

Thanks so Much! The dowel pins I was planning on using has grooves cut in them to allow for more surface area for the glue to adhere to. Since they have grooves can I place them into the POP while drying? or Should I just place them in the POP after it is hard?

Thanks again!

Ken

3/17/2017 04:42:44 pm

Mary,
You should be fine adding the dowel when wet. The POP will form around the grooves in the shaft and hold it tight in the hole when hard. Good luck, Ken.

Jeanne Nicolosi

3/9/2017 08:38:48 am

Hi Ken: I am trying to build a new base for a floor lamp whose base disintegrated. Someone suggested POP but how can I secure the mold to the metal base of the halogen lamp? Originally, I was going to pour the POP into the hollow base and let it harden and add a piece of felt to protect the floor but now I am concerned that the plaster will not stick to the inside of the lamp base. Please help!

Ken

3/9/2017 09:59:58 am

Hello Jeanne,
I am having difficulty visualizing the problem and I am not sure what the disintegrated base looks like and how it it is damaged. It would help if you described the base and damage particularly the size. Perhaps it would be easier to form a new base using something like a round cake pan or similar. I think that I can help but need more information. Ken.

Jeanne Nicolosi

3/9/2017 10:07:05 am

Picture a 6' tall halogen lamp, shiny nickel color with a 10" hollow
metal base. Originally, there was some sort of heavy plastic bolted inside the base (it looked like a weight you might put on a barbell only made of plastic and not iron) The plastic disintegrated and eventually what was left could not hold the lamp upright so I threw away all of the
plastic. Originally I was looking for a round metal weight that would fit inside but that proved impossible to find. Someone suggested pouring POP into the base and that it would harden and serve as a weight to hold the lamp upright. Does that help? Sorry I can describe it more accurately.

Ken

3/9/2017 11:33:45 am

Jeanne,
That helps me a lot. Are the bolts that were holding the plastic in still there or can they be replaced? This would allow the POP to be anchored in permanently. Is there an inner lip at the very bottom that you could place a small piece of metal across before pouring? You could also put 4 screws in the bottom across from each other to hold the POP securely. Let me know and I can comment further, Ken.

Jeanne Nicolosi

3/9/2017 12:15:02 pm

When I get home from work tonight I'll check out the base to get answers to the questions you asked since I don't recall off hand.
Maybe I could even take a picture of the base and send it on to you.
Thank you so very much for your help so far. To be continued...

Ken

3/9/2017 02:58:23 pm

Jeanne,
A picture would be helpful particularly of the inside of the base for lips or other features. Photos can't be attached to these comments so send to my email: ken.quast@gmail.com. Ken.

Kashif

4/26/2017 09:04:02 pm

Hi Ken!
I am an employee in a local cfl bulbs making factory. Where they use a paste to fix the shell of bulb on plastic base, it seems that paste is made of POP but it does not get dry and reamin as paste untill we open it and add a few spoon of water in it, after adding water it becomes greedy to harden like POP. Would you please help me to make such past with POP and any other material.

Many Thanks.

Ken

4/28/2017 11:25:40 am

Kashif,
The paste does not sound like it is POP as it is hard to keep as a paste. This is a difficult task and I have no ideas at the moment. Will your employer tell you what the paste is so we may learn from that information? Thanks, Ken.

Mary McGregor

4/28/2017 09:40:49 am

Hi there! I have an idea to sculpt a lampshade out of
plaster of Paris during the setting period. Do you know if after setting, the plaster will withstand the heat of a standard 60w lightbulb? Will I have to leave holes for heat release or will it just crumble and breakdown? Would a smaller wattage work better or not at all? I haven't experimented yet. I'm just streamlining my planNing process. Thank you in advance for any advice or ideas!

Ken

4/28/2017 11:35:57 am

Hi Mary,
Heat will not be a problem but the softness of POP may be as it is very soft (2 on the mohs scale) which is similar to talc. You will have to make it harder and more durable with either re-enforcing it with fabric or coating it with a polymer coating like spray lacquer. I would also suggest using a CFL or LED bulb to reduce heat and save money. Also some ventilation will be necessary at the top so any heat can escape to prolong the life of any bulb used. Cool idea and if you can make it harder, very doable. Good luck, Ken.

Rohit Kumar

5/11/2017 12:48:18 am

hello sir,

I have a plant of PoP we manufactured 3 to 4 types of plaster in our Plant and our we using Natural Gypsum to manufacture Plaster but sometimes we face a lot of Problems in our plaster and complaints in markets like short setting tie, high setting time strength is loose or not applying on wall found cracks after applying so i want to know from you how can we finish this problems and complaints in our plaster.

please guide me.

Rohit

Ken

5/11/2017 10:29:46 am

Rohit,
Natural gypsum varies in composition and it is no surprise that you are having problems. The first thing that I would suggest is that you test the gypsum by drying thoroughly and then make a small batch of plaster and test set time, and strength before committing to a large batch. It seems that you need to have a quality control process in place so that you can provide your customers with useful information. Hope that this helps, Ken.

David

5/13/2017 07:02:21 pm

Thanks for a very informative video. The best I've found.

Sandeep sangwan

5/19/2017 03:06:53 am

Dear ken sir, i have chalk manufacturer. I wants made smooth writing chalk. Plz tell me for formula n materials

Sandeep sangwan

5/19/2017 03:14:07 am

Ken sir. I have chalk plant. it made from pop. But our chalk not writing smoothly. Plz tell me formula n materials

Ken

5/20/2017 09:32:22 am

Sandeep sangwan,
Sorry but I have never made chalk but there seems to be many formulations on Google, YouTube, and even Google patents. These sources may have your answer. Best of luck, Ken.

ANIL

5/22/2017 03:30:34 am

Hello
When we make plaster of paris mold, which drying condition is better by using an oven or room temperature drying

Ken

9/11/2018 10:12:34 am

Anil,
Either will work but I think air drying is best if the humidity is low. But, A low temperature oven can speed up the process, Ken

Elaine

6/15/2017 08:10:21 pm

Hello you winderfull knoaveable you. I'm in the uk so not sure what elmers glue is but can you advise me on the best way to connext on a permanent basis wadding & fabrick to a plastercast...modrock bandages torso bust.
So i can pin things for display to the wadding under the fabric like jewlery... please. Hot glue guns only sit on the
Surface... it is well cured now 3 week.

Ken

6/16/2017 10:36:38 am

Hi Elaine,
As you may know, POP has small pores (holes) and the hot glue cannot get into the holes to grab on and hold. Elmer's glue is just a white glue designed for paper and will get into the holes and provide holding. So, any glue designed for paper should work. If the glue is thick you may have to add water to thin it down so it can slide into the holes and provide stability. If I have not understood the problem you can send a photo or short video to my email as I have done for others if the problem is not clear. ken.quast@gmail.com. My best to you, Ken.

Anil

6/16/2017 05:28:09 pm

Hi Mr Ken
Any experience of the drying of plaster molds , which is better natural drying or in the oven at 70 degree C ?
Thanks in advance

Ken

6/17/2017 10:18:23 am

Anil,
I prefer natural drying unless the humidity is very high as it really does not take very long. You can use heat but 70C is too much. Stay below 50C if possible. To check dryness weigh the mold after de-molding and weigh periodically. When the weight stabilizes it is dry, Ken.

Anil

6/18/2017 12:44:55 am

Hi Ken
Thanks a lot , is it any reason below 50 c ??

Ken

6/19/2017 09:58:13 am

Anil,
No, any heat just removes the moisture in the air so any dry air will help. Ken.

Akash

7/7/2017 10:39:26 pm

Can cement be replaced in some quantity if we add pop in fly ash brick mixture???

Ken

7/9/2017 08:38:06 am

Akash,
The setting and crystal structure are very different and I suspect that there may be problems in strength. However, a small experiment may be the best way to find out if there are disadvantages. Good luck, Ken.

Suhani Singh

8/7/2017 07:44:51 am

Thankzz a lot...KEN! it helped mee a lot..

Margita

8/8/2017 05:51:41 am

Hi Ken, I live in in the UK and I am confused by all the plasters they sell in DIY stores. I can get one which is white but it is very soft. Then they have pink stuff for skimming walls and creamy stuff. I need to cast a huge atlas ball - I put a thick layer around a gym ball and now I am waiting for it to cure. But the weather is wet - no other alternative in the UK! I intend to fill in the 65cm in diameter ball with concrete. The plaster mold is 4 cm or more thick, i reinforced the plaster with the mason mash stripes all over. However I am slightly hesitant to put the load of concrete in - that it may crack (???) even though the mold feels very solid. Is there anything I can do? Does the plaster need to completely dry?? (challenge in the UK!) Would pouring the concrete in batches help?? Thank you so much.

Ken

8/8/2017 10:33:46 am

Hi Margita,
I have some thoughts and some questions before I can really answer intelligently. First, what is the coating? Was it plaster of Paris or the creamy material that may be a modified plaster? What is the gym ball made of and how thick? Some balls are thin walled. Are you planning on the ball holding the concrete? That is going to be a heavy load on the coating that will have to be dry. Can you fill the ball with something less dense and lighter? All plaster or gypsum is not hard so I would plan on coating the exterior with a two- part epoxy to minimize cracking and waterproofing. Your answers will help me to help you, Ken.

mike snelling link

8/13/2017 09:59:35 am

I use pop to make life size molds of leg, torsos/ body parts for a vacuum molding application using PETG. To fill a "negative" casting this size I am wondering how long between pours, thickness of pours for the fastest results. Right now I am doing a male torso and at this tome I have the casting about 40% filled. My pours are about a 1/4" thick and I let them cure between 8 to 10 hours before and a second pour and I dampen/mist the second pour. I am using the 2-1 ratio as recommended and I end up with about 64ozs per pour. Any suggestions as to expedite this process?

Ken

8/13/2017 03:57:38 pm

Hey Mike,
For 1/4 inch pours I would wait about an hour and make the next pour as the first will be set and have enough moisture to accept the next pour. When all of the pours are complete is when I would wait overnight to lose most of the water. It should be vacuum moldable, Ken.

emran

8/22/2017 11:57:12 pm

when 25 kg gypsum powder is added to 17.5 liters of water what will be the total volume of that ?

Ken

8/23/2017 11:00:57 am

Emren,
Because Gypsum has different densities I would suggest that you make a small batch like 50 grams with the amount of water you plan on using and measure the amount of volume in a disposable cup, Ken.

emran

8/22/2017 11:58:17 pm

what will be the density of gypsum powder in wet condition ?

Ken

8/23/2017 11:04:33 am

Emren,
It will be the density of water, 1 gram/ml plus the density of the plaster you will be using which can be found by doing a Google search. Thanks, Ken.

Sushil

9/1/2017 06:53:11 am

please provide some ideas manufacturing colouful plaster of paris(gypsum) every colourful plaster of paris manufacutring

Robert Luedtke

9/13/2017 03:05:41 pm

I am wanting to cast some small items from Terracotta colored casting plaster with iron (I want the rust effect), unfortunately I can only find this available overseas and shipping is redicuusly prohibative. I have some Terracotta colored casting plaster from the US, but it doesn't have any iron in it.

My question is - where can I get the Iron Oxide powder or whatever I need and how much (ratio-wise) would I need to add without destroying the plaster properties?

Thanks Robert

Ken

9/13/2017 03:58:28 pm

Hi Robert,
A good cheap source of iron oxide can be found on Ebay. (Link attached). A far as ratio it will depend on the particle size. For the powder, small micron, it shouldn't take more than 10 % which would be OK. But, try a very small sample as a test. Thanks, Ken.

https://www.ebay.com/sch/i.html?_from=R40&_trksid=p2380057.m570.l1311.R4.TR10.TRC2.A0.H3.Xiron+oxide.TRS0&_nkw=iron+oxide+powder&_sacat=0

Ken

9/13/2017 04:12:46 pm

Robert,
The link failed to open so just type "iron oxide" on Ebay and it is the first page, Free Shipping!

Sharon

9/18/2017 02:04:36 pm

I am attempting to make a wall plaque wanting to be able to stamp letters into it so the end result will llok like a slab of stone or rock with words carved (stamped) into it. My question is can I remove from my conatiner while still soft enough to stamp letters into it and then let it finish drying right side up?

Ken

9/19/2017 11:09:07 am

Hi Sharon,
POP can be de-molded fairly quickly, when you can no longer feel the heat on your hand. Depending on the size, 20 to 30 minutes will work but still not be cured as there is still water remaining. But the problem will be that the surface is very fragile and will not give a clean image as it will crumble somewhat. It may be fixable however. I don't know what kind of stamps you are using, rubber, metal, or acrylic. I would probably make a paraffin mold with the stamping and pour the mold over that and let it cure and get hard. However it may still crumble as POP is so soft. Hope this helps, Ken.

Shamsuddeen Adam Sunusi

9/21/2017 05:11:23 am

Hi experts,I need your assistance on how to have a knowledge to start the business of manufacturing a Plaster of Paris (POP).
I am from Kano State,Nigeria.
Thanks.

wendy

9/23/2017 06:04:13 am

hi
I've just spent the last few hours reading all of the questions and your comments. Fascinating stuff! I've made so many notes and I know the info is going to be invaluable. So thanks so much for sharing your knowledge.
I have a few questions which would be great if you and/or any of your readers could help.
- Is it possible to make planters out of POP? When sealing, do you have to leave one side unsealed to allow it to breathe?
- To make rusty plaster, do I use iron filings or red iron oxide? I don't know what the difference is? I'm assuming the resulting rust can be sealed but will it weaken the integrity of the plaster over time?
- Have you ever come across resin bonded concrete? I want to make thin concrete figures/accessories but in the UK I can't get the concrete strong enough. I've read about resin bonded concrete but can only find information on driveways which isn't what I'm after
- Why does sand strengthen pop but porcelain/marble dust weaken it?
Thanks in advance and fingers crossed you can put me out of my misery! X

Ken

9/24/2017 08:58:46 am

Hi Wendy,
You can make planters with POP but depending on wall thickness, it might be too heavy. You can seal it all over as the air is available from the top of the soil and the drain hole.
A small amount of red iron oxide (Fe2O3) will color the POP and not weaken the finished product. No, iron filings will not do much at all.
I will have to investigate resin bonded concrete but POP can have additives to make it much more durable.
Either sand or another additive can weaken POP if used in excess by interrupting the crystal structure. Experiment to find out what works for you. Hope that this answers your questions, Ken.

wendy

9/25/2017 09:34:01 am

Wow, thanks so much for the response Ken. I really appreciate that.
I'm only planning on making small-ish planters (6-10mm wall) in a marbled POP. The colours come out great. I did try and seal some with a concrete sealer but it just didn't work. The plaster was still getting damp by capillary action (I think that's the correct term?)
I've ordered some red iron oxide but had a go with some iron filings too in the meantime. I added some to the mix (<10%) and coated the inside of the mould with them too - after wetting it first so that they stuck. Some moulds I didn't coat. Then when I demoulded them I sprinkled salt on and left them wrapped in damp rags. Withing an hour of demoulding I started to see the reaction on all pieces! Awesome stuff!!
After I seal these pieces will it continue to corrode inside or will the fact that I've sealed it stop the process in it's tracks? Again, say the item is just an ornament, would I leave one side exposed so the plaster can breathe?
What additives can POP have to make it more durable?
How much sand can I use to strengthen pop before it does the opposite and weakens it? <10%?
Can't tell you how awesome it is to be able to ask an expert! Makes me a very happy bunny!

eric

9/25/2017 12:23:56 pm

Ken, thank you for your site. How much do you thin the Elmer's glue for a surface coat to fill the voids and smooth the surface before painting?

Ken

9/26/2017 10:30:47 am

Eric,
Elmer's glue is about 40 % solids so I usually reduce it at a 1:1 ratio with water reducing it to 20 % for brushing. Of course you could also use an acrylic spray as well. Ken.

wendy

9/27/2017 09:56:51 am

Hi again Ken

So I'm doing loads of research re strengthening plaster. In addition to making planters with it I'm using it to make jewellery with inclusions. The pieces are c. 25mm x 50mm x 8mm. I have read loads about the subject but opinion differs wildly about what works and what doesn't. Essentially I want to be able to produce a "thinnish" piece c.6-8mm that won't snap or crack if knocked or dropped. Which I know plaster is prone to do.

I have read about adding vinyl glue, acrylic, chopped strands (fibre or glass), Durham's Rock Hard Water Putty, ground bone meal, sand, liquid latex....Question is do any of them work and if so at what quantities? I don't mind a bit of experimentation but I could go on forever and not find a solution!

Back to an earlier question too. Would I seal all 4 sides of a piece that was intended to be worn or would I leave a gap so it can 'breathe'?

Questions, questions, questions....!

Ken

9/28/2017 11:10:28 am

Hi Wendy,
I believe that Elmer's glue, Polyvinyl acetate would be the best in your application. Try about 5 to 10 % and test. All surfaces should be sealed after the piece has completely dried. It does not need to breathe, Ken.

wendy

9/29/2017 07:35:22 am

Hi again Ken
So I've tried the red iron oxide and it's turned the pieces rust coloured. But I don't want rust coloured, I'd like rust, proper flaky, corroded rust. Ideally I'd like a piece to look like it's been made of metal and has rusted right through after being left out in the rain for decades. How do I go about that? Or is it not possible?
So sorry to pester you but this idea won't stop going 'round my head until I do it!

Ken

9/30/2017 11:10:17 am

Wendy,
I have thought about what you want to do and I am unable to come up with a chemical/pigment solution. It appears to be more of an art project with an exterior application of material Maybe somebody else has some ideas but I am at a loss to contribute. Sorry for not having a solution, Ken.

Celeste link

9/29/2017 07:50:26 pm

Hi, Ken.... you have been patient responding to the many questions over these many years! I am in charge of my garden club's big fundraiser, which also includes the decorations and to create a theme with objects which can be sold. I want to learn how to set 3" diameter branches into plastic flower pots, to create winter wonderland-looking trees. I'm concerned at many levels. How deep should the POP be to secure a good hold of the branch? How long will take it to fully dry and allow the branch to stay upright? Is this too deep to be effective?? Will that make it too heavy to lift? More likely to crack and fall apart? Will the branch just pull out if I don't put dowels at the base of branch to keep it from slipping out? I have been searching for hours, and you are my best hope for some mindful answers.
Thank you so much for your thoughts and time to answer.
Celeste

Ken

9/30/2017 11:26:49 am

Hi Celeste,
3 inches is pretty big but I need a height that you are planning on. Most planters have a large upper that tapers down and this will effect the balance point. Plaster bases prefer a wider base so height is important to know. From that I may be able to guesstimate the depth of the planter and the weight. There may be other solutions as well. Let me know the height and I will try to help, Ken.

Celeste link

9/30/2017 03:04:41 pm

Oops, I meant to make sure I received a notification...

Celeste link

9/30/2017 02:19:57 pm

Ken, thanks for your time to negotiate my way through this craft adventure! I'm glad you brought up the center of gravity issue since there higher portion will be broader than the base, if we have a tapered base. I believe that if I am using branches that extend 5', the wind will go through the branches and not be as likely to be blown over.
I am curious how the POP changes in weight once it is has been mixed with water- it really can't get heavier than the combined elements, right? - just temporary hotter. So I'm hoping that 5" of dried POP will be manageable to lift?? I continue to seek your anticipation of how a smooth branch would react to being easily pulled from the set POP. Would it simply slide out like a pipe- and so I need to put some dowels at the branch's base?
Thanks again, Celeste

Ken

9/30/2017 05:09:50 pm

Celeste,
The added water does not add much weight but the fact that the POP forms a crystal structure there is an increase in density as it is tightly packed which accounts for the increased weight. Five foot high branch is OK if the planter is stable. One way to increase stability would be to add a square or circular piece of decorative wood that exceeds the diameter of the top of the planter to the bottom for stability. As far as tightness of the branch in the planter that should not be a problem. I have used solid acrylic rod in POP and the fit is very tight. I can pull it out but the hole is really snug. I can get the rod back in but it is not easy. I guess for safety you add a dowel for security. Let us know how it turns out, Ken.

celeste link

10/3/2017 10:15:39 am

Thank you, Ken. I appreciate your sharing the added experiences. A dowel will be added, not two- so this will be a time saver. I'll try to get back to you after the event. Meanwhile, Im now experimenting with wire frames to create the outline of a snowball. (Again, for our garden club holiday fundraiser.) Wrapping wire with twine looks sort of cheesy--- Im' wondering what it would look like dipped in POP and scraped off. Perhaps they will be too delicate. Pinterest's version with string around a temp frame such as a balloon, then Modge Podged, was way too flimsy.....

ajay jain

10/2/2017 09:56:30 am

hi, fine stuff to go through on the site. got lots of known answers. One thing is always disturbing me.
Can I mix 20% of POP to white cement for strength? Have you ever tried this?
thanks

Ken

10/3/2017 09:38:47 am

Ajay,
White cement is the same as grey Portland cement but with less iron. But adding POP to either will make the cement structure weaker preventing the cement from forming the correct crystal structure. I would not recommend any addition of POP. Thanks, Ken.

Anil

10/8/2017 03:06:32 am

Hi Ken
On the other way , to improve the strength of the POP cast molds, can we add white cement in the POP with out affecting the water absorption property of the POP mold?

Ken

10/4/2017 03:42:16 pm

Celeste,
I am not sure what kind of balls you want to make. It sounds as if you plan on hollow balls made with some kind of frame. And how big will the balls be? You are right that POP on twine would be weak and flake off easily so a poor choice. Let me know what you want to do, Ken.

MH Shah link

10/6/2017 07:30:23 am

Just want to share my experience of mixing wall putty (joint compund) and plaster of paris and it has delayed the drying time of plaster of paris. I am not a professional painter, just painting my house by myself by learning thru internet.

Ken

10/10/2017 10:00:55 am

Anil,
You could add the cement to the POP but I am not sure what it would do to water absorption. Best to try a small sample and to determine if there is a change, Ken.

Makanjuola Taiwo

10/11/2017 02:45:51 am

why does p.o.p set faster than stone?, also for how many minutes does stone set?

Ken

10/11/2017 03:21:10 pm

Makanjuola,
I am not sure what you mean by "stone". Please explain, Ken.

Kay

10/20/2017 08:41:44 am

Hi Ken, thanks a ton for sharing so much information. I have a 3 1/2 ft tall pop statue (an idol of Krishna) that is hollow. It was made around 4 years back and has no surface finish. I did some sanding and carving to define the embossing on them and give a finished look. Around 2 years back, the base (pedestal) cracked half and came loose. I'm positive it didn't get bumped anywhere. Now I'm noticing cracks along the neck line. I don't know if it's hairline or how deep it is. I intend to stick the broken piece and paint it eventually. My question is, should I fill the hollow structure with pop to prevent any rupture after i finish painting? If yes, should I fill it in batches and will the expansion cause it to crack further? Also, I'm afraid the thickness of the statue is uneven and sanding it further weakened the structure. Is it possible to strengthen the statue without having to fill it up with pop? What would you suggest is the best thing to do?

Ken

10/20/2017 05:05:11 pm

Hi Kay,
Unfortunately POP is very soft so the problems that you are having are not unusual. So, how can be fix it in the best way? First, I would not fill it with POP as the weight would be too great. And you are probably correct that the mold is variable in thickness. So, I would use a two-pronged approach. I would make a POP mixture that has more water so that it was less viscous. You may have to play with the proportions but I would guess that 20% more water would work. You don't want it to be to too fluid but enough to be easily mobile. Then I would pour the mix into the mold and rotate the mold distributing the POP on the inner surface. But, if the mix is to dilute you will have rotate it for too long before it sets so that is why I say play with the viscosity to just get it to flow easily but not take too long to set. Don't worry about it expanding as it gets hard. You may have to repeat and the objective would be to add perhaps a 1/2 inch all around the inside. Then turn it upside down and let it set for a day or two. When dry, coat the exterior with a WATER-based polyurethane to seal the hairline fractures if it is compatible with the paint that you will be using. These are my best suggestions at this time and let me know what you think, Ken.

Wendy

10/25/2017 05:05:24 pm

Hello Ken, I'm making a face mask with plaster bandage. I'm not happy with the bumpy/rough texture of the surface when it has set. Can you advise me about brushing on a layer of POP that I could later sand smooth? Should I wait till the mask has cured? Should I wet the mask first? Should I use a different ratio of POP to water than 2:1? Thank you.

Ken

10/26/2017 10:31:54 am

Hi Wendy,
The mask can be moist or dry and the procedure will be the same. Make a standard 2:1 mix with cold water (increase the working time) and add water to reduce the viscosity so that it is fluid enough to brush on easily. The resulting coat will take a little longer to get hard as it loses water more slowly. But, this should work, Ken.

John Archer

10/26/2017 08:07:11 pm

It is a bit difficult to have half a molecule of H2O.
This is a more balanced equation.
2(CaSO4·2H2O) + Heat → 2(CaSO4)·H2O + 3H20 (steam)

Ken

10/27/2017 09:11:15 am

Hi John,
Thanks for the comment but the hemihydrate is well known, particularly with calcium sulfate. From Wikipedia).
The compound exists in three levels of hydration corresponding to different crystallographic structures and to different minerals in the nature:
• CaSO4 (anhydrate): anhydrous state.
• CaSO4 • 2 H2O (gypsum): dihydrate.
• CaSO4 • 0.5 H2O bassanite): hemihydrate, also known as Plaster of Paris. Specific hemihydrates are sometimes distinguished: alpha-hemihydrate and beta-hydrate's.

Reggie link

11/16/2017 09:40:01 am

Dear Ken,
I am doing experiment for a gypsum block made of POP. Putting % siloxane as water resistance additives didn't meet less than 5% after immersion from the water. If I put more percentage of siloxane, the moulded block get cracks. Can you help me how to improve the water repellant of the the block without affecting the folded blocks? Can I put % of white cement for me to increase the siloxane and eliminate the cracks? I would appreciate to hear from you soon regarding my problem. Thank you.

ANIL

11/16/2017 05:19:54 pm

Hi Reggi
Surprise to see your posting, POP mainly used because of the water absorption, so why you are doing water resistant ?
I think if you apply silioxane, it will affect the bonding , if you wanted only outside of the mold, apply wax

Marianne Jerzyk

12/6/2017 06:42:17 pm

Hi Ken,
In making small candle holders, the POP still feels cold to the touch. Is this due to it not being completely dry yet? Would spraying then with Krylon sealer make them stronger and harder?
Thanks for your help!
Marianne

Ken

12/7/2017 09:59:20 am

Hi Marianne,
Yes, the coolness means that it is still moist and the water has not left the POP. Let it dry completely before the nest step. Krylon will stop the plaster from dusting but not make it harder because it is just a thin layer on the surface. To make it a lot harder Mix Elmer's glue 1:1 with water and brush on. This will get into the pores and make it much harder than the Krylon. Try a small sample and best of luck, Ken.

Lynn

12/9/2017 12:19:44 pm

I am making Stepping Stones out of broken plates and plaster of Paris how long will it take for the plaster of Paris to be cured enough to be put the Stepping Stones outside

Ken

12/10/2017 07:48:19 am

Lynn,
It depends on thickness and room moisture but in general 1 to 2 days should be fine. Ken.

suresh VG

12/10/2017 11:16:06 pm

Hi Ken,

I am making a statue of one (1) meter height and one (1) feet square in POP. It will take minimum 30 minutes to complete the finishing process, I need the POP to dry only after 30 minutes. Can you suggest any chemical which will prolong the drying process of POP. Cold water is not giving 30 minutes time to dry.

Ken

12/15/2017 09:01:46 am

Suresh,
I don't know of any retarder that will allow that much finishing time without changing the crystal structure. I would recommend multiple pours if possible or perhaps a POP that is sold as a "slow set". Ken.

Amy

12/15/2017 07:59:50 am

I poured Plaster of Paris onto an MDF board about 1/4” thick and it has been 36 hours but still not hardened. What do I do to speed up the dry time?

Ken,

12/15/2017 09:04:18 am

Amy,
There is something wrong with either the POP or water ratio. Properly mixed POP would set fairly quickly. Ken.

Paul in NJ

1/5/2018 07:40:29 am

Handy tip, courtesy of a 1914 newspaper:

"If using plaster of paris to fill a wall crack, moisten with vinegar instead of water, which will make it more like putty. It will not then harden before you have time to apply it as when water is used."

Haven't tried this myself.

SPYROS

1/15/2018 01:20:35 am

Dear KEN,
is there a method that i can make the plaster harder?
i am making statues profesionally and i use dental plaster
i am wondering is there is a cheaper way
thank you for your reply

Trish C

2/1/2018 09:58:54 am

I want to use fillable plastic balls as molds for Christmas ornaments. If I combine paper mache and plaster can I achieve rigidness and lightweight balls. Paper mache alone seems too flexible and is difficult to remove from the half sphere.

Ken

2/3/2018 11:13:28 am

Hi Trish,
You can re-enforce the balls with POP but there may be two problems. First, he balls will be heavier and second, more fragile on the surface unless coated with a lacquer. I would be tempted to use epoxy or even Elmer's glue which will give the ball more hardness. I am not sure what the mold hemispheres are made of so a release may be needed. If my answer does not help please ask more questions and explanations, Thanks, Ken.

KANTESHA L MARITAMMANAVARA

2/12/2018 09:29:48 am

In which solvent it is soluble.

Ken

2/12/2018 10:04:40 am

It is really not soluble in anything but water will eventually soften and degrade CaSo4. Ken.

mohammed

2/22/2018 10:40:36 am

hi ken ........ what is the effecting of the degree of fine for plaster of paris ???

Ken

2/22/2018 03:49:39 pm

I'm sorry but I don't understand the question. Please provide more detail.

sachi

8/25/2018 02:07:10 am

mohammed asking how much heat pop can resistate ?

Fran

3/5/2018 07:36:35 pm

I noticed my POP is a little dirty looking in color. It’s been about 4 hours since I mixed it up. Will it get whiter in color as it cures?

Ken

3/6/2018 10:09:30 am

Hi Fran,
Generally POP becomes whiter and harder after about 24 hours but there are some brands that have small amounts of iron in it that causes a slight brown color. It doesn't harm the cure but if you want a real white then I suggest something like the DAP brand. Ken.

Shauna

3/9/2018 02:30:30 pm

Hi Ken,
It's so generous of you to share your knowledge and time, I must say I've learned a lot reading the comments above!
I have been making some plaster plaques, poured into a clay mould. I love the result and they are art/ decor pieces. I want to embed a fixing of some kind so that it can be easily hung flush (or as near as) to the wall or alternatively mounted in a shadow box style frame.
Do you have any suggestions as to what I can embed while the plaster is wet? For small pieces I have used stainless steel wire but this isn't great. I have experimented with using adhesive to mount there plaques but I know this isn't ideal and worry about how long they would be secure.

Ken

3/13/2018 10:35:15 am

Hi Shauna,
I assume that you have looked at several typical picture hangers and found them lacking in some way. My solution is very easy and may work for you. As an illustration I will use a plastic straw. Cut a small piece less than the depth of the plaque and seal one end with hot glue to stop the plaster from getting in the exposed hole. Insert the tube into the wet plaster at a slight upward angle and let it set. Now you can use a nail, adhesive pin, or screw to hang the plaque. The straw would probably work but I would use a metal tube available at all hardware stores. Any questions please let me know and hope that this helps, Ken.

Melanie

3/11/2018 09:26:44 pm

Hi Ken,
Thank you for your informative write up and the video. I am not experienced with plaster of Paris, but is this what is often used for kids to make their handprints? Or is that something else?
I would like to use it to make a little piece of artwork with my second graders. I was hoping they could press pebbles into it, as people do into stepping stones. I just read the article about the girl who had 8 of her fingers burned off in plaster of Paris, and I am a little nervous. She left her hands inside of the plaster of Paris, in the mixing bucket.
My students would wear gloves and only press their pebbles into the top of the plaster of Paris. I would love to hear your thoughts. After seeing the beautiful frame that the plastic container made, I thought it would be even better to have the stones on the bottom of the container, but I am afraid they might get lost in the plaster. I suppose that the piece could be sanded down a little bit to bring the pebbles up to the surface again, though? That would have to be done by a parent, to stay within the inside of the little frame.
Thank you for reading, I look forward to hearing from you.
Melanie

Ken

3/13/2018 10:47:07 am

Hello Melanie,
The burning issue really only applies when the body part is submerged in the wet plaster. In the case of hand prints, you wait for the POP to get a little hard. There is very little heat at the surface so bare hands would be safe on top. (Try it yourself and see). As far as the pebbles the same applies. Wait for the POP to get a little hard and insert the pebbles and they will not sink. Just don't wait until the plaster is too hard. It should be just setting when you insert the pebbles. It will still be a little wet but the pebbles should go in easily. Hope that this helps, Ken.

Irene M Gonzales

3/13/2018 08:07:19 pm

HELP!! I'm making a last supper cast about 12 inches by 24 inches by 1 3/4.inch. I bought a 25 pound bag of plaster of Paris. About how much will I need to mix.

Ken

3/14/2018 03:51:07 pm

Hi Irene,
That is 576 cubic inches so you will need about 22.5 pounds of plaster and about 15 pounds of water. That is a large amount and I would probably use three pours unless you have a big mixer and can handle something that large. Adjust water as needed to make as stiff as you like, Ken,

Ryan

3/20/2018 02:43:11 am

I'm working on masks, using Plaster of Paris for molds and Liquid Latex to make the masks, is there a way where I can use Plaster of Paris for the molds and not worry later on of the molds ether turning damp like, shrink, break with the Liquid Latex pouring or pulling out , and the change of temperature?

Ken

3/21/2018 11:17:38 am

Hello Ryan,
If the mold is coated with a dilute solution of Elmer's glue (Polyvinyl Acetate) to fill the pores it should remain dimensionaly stable. Since the glue is not re-soluble it will reinforce and provide strength. Ken.

gorssi

3/21/2018 07:08:37 pm

How to speed up its mixing

Ken

3/26/2018 10:02:03 am

Gorssi,
You can use an electric stirrer at slow speed to mix faster. Just clean the blade in a separate container of water and don't put it down the sink drain as it may harden and cause problems. Ken.

Judy

3/25/2018 10:16:12 pm

Ken, you are so patient with all these queries! Here is another!
I am an artist wanting to carve/incise into the plaster which I want to produce as a flat surface. I will want the plaster to dry on a cradled board, then incise marks before applying gold leaf and paint.
a) How do I pour the plaster onto the board while stopping it going over the edges?
b) should I add cold PVA (wood) glue as has been suggested by one artist? If so, why?
c) should I seal the final work with something like polymer gloss gel?
Thanks so much, Judy

Ken

3/26/2018 10:25:11 am

Hi Judy,
I know that you have a mental picture of what you want to do but I am not completely sure so I have some questions. Why a wood surface rather than a plastic container or cookie sheet which has a flat surface and sides to contain the plaster? The PVA for the wood is used to fill the pores to provide a flat surface. Lets talk about sealing after we can answer the question to help me understand the problems. Thanks, Ken.

Judy Hungerford

3/26/2018 03:34:38 pm

Thanks Ken for replying so soon.

I do all my paintings and art on cradled board. My intention is to have the plaster surface on the cradled board, then to carve into it before painting etc. So, if I pour or apply the plaster to the board I will obviously need some sort of 'dam' to stop it all going over the edges which I need to keep clean. When I do my other work and before painting I apply blue painter's tape all round the edges of the board to protect it from paint, dirty fingers etc and peel the tape off when the work is complete. Maybe I can put the tape so that it is just above the surface of the board to act as a dam? Or maybe that won't be strong enough...
Thanks so much for your help. Judy

Ken

3/27/2018 09:39:01 am

Hey Judy,
My sense is that the painter's tape will not be strong enough and I would use foam board to make a frame that can be hot-glued together to form the dam. But, paint the inside edges with a slightly dilute PVA to act as a release agent. With regard to the use of the PVA on the cradled board I would not as the pores probably help adhere the plaster to the board. If this post fails to answer your question let me know, Ken.

Judy Hungerford

3/27/2018 04:55:34 pm

Thanks again Ken.
Given that I DO want the plaster to adhere to the board (in fact that's critical!), maybe then I should add it to the plaster mix?
The finished piece I intend to be plaster applied to the surface cradled board as an entire unit, just like the application of paint to board, in fact. I don't intend very thick plaster, just enough to incise marks into it. The cradled board would then be wall hung.
Thanks again Ken, Judy

Ken

3/28/2018 04:23:50 pm

Hi Judy,
I must confess that I am not sure why plaster adheres to any wood with no obvious pores. Rather than add anything to the plaster I would approach it differently. For example, I would drill several small holes and tape the back side so the plaster would go into the holes and when hard hold the plaster vertically. Even staples that don't go all the way in would work. But you are the specialist and I would defer to your expertise. Just a thought, Ken.

Judy Hungerford

3/28/2018 07:26:44 pm

Thanks Ken for your hints. I've just watched a video where the artist applied gesso on his board (in his case masonite) before pouring or applying the plaster, so I'll give that a go. Thanks, Judy

Judy Hungerford

3/28/2018 07:27:18 pm

Sorry, forgot to tick that I'd like email notification!

R mishra

4/13/2018 12:34:12 am

How to remove fungus from a plaster of Paris model

Ken

4/17/2018 10:20:12 am

Make a bleach solution with 25% bleach and 75% water and dab it on the fungus with a rag. Let dry completely. Ken.

Rob W

4/22/2018 11:28:10 pm

Hi Ken,

Any tips for mixing large batches of plaster of paris i.e. 50lbs at a time?

Also interested in what is the best method for mixing plaster of paris with a reinforcing material i.e. chopped strand fiberglass? I've found it hard to produce a method that reliably creates a uniform mixture with the larger batches.

Many thanks!

Ken

4/24/2018 10:08:25 am

Hi Rob,
There are several challenges when mixing large batch as you probably know. First, the mixer should be low speed, high torque as the density.viscosity is fairly high. I have found a paddle type stirrer to be the best. The set-time is best controlled by using very cold water. I add the POP as in the video to slake before starting to stir. I have used chopped fiberglass if it is pre-wet before adding to the completely mixed POP. Hope that this helps, Ken.

Rob W

4/26/2018 05:09:10 pm

Thanks for your reply Ken! Much appreciated.

Is this the standard method for mixing any reinforcing material into POP? i.e. mix the POP first then add in wetted reinforcing i.e. sand, crushed glass, FG etc

suresh VG

4/25/2018 10:17:35 pm

Dear Ken,
Can you explain "I have used chopped fiberglass if it is pre-wet before adding to the completely mixed POP". Is it that the strands of fiberglass should be socked before mixing with POP solution?
Also can you tell the length of fiberglass to be mixed with wet POP.

Is it possible to mix POP in a Ribbon blender which works on electric motor?.

Ken

4/27/2018 03:19:26 pm

suresh VG,
The length that I use is about 1 inch, 2.54 cm. Pre-wetting makes it less difficult and easy to blend. I would probably not use a ribbon blender as the set time is short and cleaning out all of the POP would be difficult. Ken.

Anna

6/1/2018 04:05:49 am

Please help. POP is very expensive by us. Can I use Rhinolite and mix some Calcium Carbonate with it to make it stronger for small figurines. If yes, what would the ratio be. Thank you

Ken

6/1/2018 09:34:11 am

Hi Anna,
Rhinolite is designed to be used in thin coats so will not work well. Search YouTube for cold porcelain as a substitute. Ken.

Andrew

6/30/2018 12:03:43 pm

Hi Ken
Could I use a frozen fish to create a mold, would the POP set quick enough and not cook the fish? Obviously I would want to do a 2 part mold so the same fish would be preferable, I would re-freeze it and do 2nd part of mold.
Or am I bonkers...
Thanks

Ken

7/1/2018 08:13:44 am

Hi Andrew,
No, your not bonkers! The exothermic factor probably won't even thaw the fish. The only question is whether or not a release agent should be needed. The fish oil may be enough but some light mineral oil may be needed. But please keep us informed as you proceed. Ken.

Srikanth

7/11/2018 08:00:09 pm

Hi, I am going to try hand casting business. The POP I use takes more than 3 days to set, but the people who are doing this business does it in 20 minutes. Can you please tell me how their POP sets so quickly and also tell me whether there are any other type of POP they are using??

Ken

7/12/2018 11:08:27 am

Srikanth,
If you are using the correct 2:1 proportions and it does not set in less than 1 hour it is probably containing impurities. Try another brand of POP or talk to the people who are doing it successfully, Ken.

Gary

7/13/2018 04:46:06 pm

I have a box of POP that is probably 25 years old. Does it ever go bad? It sets up very quickly when I use it for patching.
I’m trying it as a base for chalk paint but even with a lot of water it still clumps.
Should I get a new supply?

Ken

7/14/2018 09:36:36 am

Hi Gary,
POP is hydroscopic and will pick up water causing clumps from the atmosphere over time forming the hemihydrate. Heat will reverse this but that is not practical so I would recommend buying a new container with appropriate size for your needs. Keep tightly covered and it can be good for 2 or three years but it is impossible to keep moisture out unless it is refrigerated. Best of luck, Ken.

Ken

8/15/2018 03:56:36 pm

Mandy,
Here is a link to a calculator that will help with all sizes: http://www.davidwbolton.com/uploads/5/5/1/4/55145091/plastermixcalcchart.pdf. Cure time will be about 24 hours. Color with black tempera to the desired grey, Ken.

Rachel

8/23/2018 03:45:23 am

Great info, thank you!

Is there a safer alternative to plaster of paris that functions similarly? I have young kids in the home and am worried about the hazards. But I don't want to risk quality.

Ken

8/23/2018 05:43:36 pm

Hi Rachel,
There are not any really effective alternatives and it is a fact that the safety issues are meant to be thorough. POP is used in schools even with kindergarten children to make impressions of their hands for the parents. So, it is a matter of planning the project, securing the POP container, and helping the children to observe good safety practices, Hope that this helps, Ken.

sachi

8/25/2018 02:32:59 am

hi
i have large quantities of leadacid battery scrap . so i want to melt it and extract lead from it. so i want to make a home made foundry from which i can extract lead continouysly. so please guide me how to make a coalbased foundry.. Ratio of POP , sand and water and if any other raw material required for it .
waiting for your valuable earliest reply .
sachi. india

Ken

9/11/2018 10:16:00 am

Sachi,
POP is not a good refractory material and I would suggest a heavy metal container as the melting point of lead is so low, Ken.

Nikki Tarter

8/26/2018 08:15:48 am

Hi I am looking to make a mold that will break/shatter when being hit. I tried POP bot it’s just to dense for what I need. Any suggestions? Thanks all

Jodie

9/25/2018 10:54:33 pm

Hi, thanks for the great article, I have painted some POP casts and the acrylic paint has peeled, can you advise if this might be the POP not dry enough at time of painting or could it be because it was not sealed? Thanks again.

Ken

9/26/2018 10:39:04 am

Hi Jodie,
The only reasonable explanation for me is that there was some residual moisture in the cast as acrylic ink is a good sealer. The moisture will come out of the small holes in the POP and penetrate the ink film. In fact, I usually thin the first coat of ink so that it fills the holes and give a good seal. Hope that this helps as a dry cast is essential. Ken.

Barry E. Holland link

11/6/2018 01:37:35 am

Nice Blog!! The content you have shared is very elaborative and informative. Thanks a lot for sharing such a great piece of knowledge with us.

joe

11/27/2018 08:15:16 pm

Great video, very educational, thank you! What’s your advice for strengthening the plaster? It seems a lot of people added PVA glue or loose chopped strand fiberglass. I’ve also seen acrylic and plasticizer for concrete used. What do you do suggested as a strengthening agent that ideally won’t compromise the surface detail?
Thanks again,
Joe

Ken

11/28/2018 11:07:55 am

Joe,
I have found that Fiberglas cut in very small pieces works best but you have to add amounts experimentally to find the best, Ken.

civil engineer link

11/29/2018 01:50:56 am

Hello,
I have really enjoyed reading your well written article. I have bookmarked it and I am looking forward to reading new articles. It’s really a nice and helpful piece of information. I am happy that you simply shared this helpful info with us. Thanks for sharing.Looking forword for more post.

Ann

11/29/2018 04:00:41 pm

Hello,
Thank you for all the valuable information you have provided. I make small ornaments with pop and would like to know if essential oil can be added during the mixing stage before pouring into the mold or after the drying process has been completed or would adding essential oil compromise the integrity of the finished product? Thank you.

Ken

11/30/2018 10:08:35 am

Hi Ann,
Add the essential oil after the cast has dried and the water completely gone and not in the wet mix. (48 hours should be fine). If the oil is too viscous it may have trouble getting into the small pores (holes) so slight dilution with alcohol may be necessary. You may also want to use a spray lacquer on most of the cast an leave a small area clear so the fragrance does not leave too quickly unless that is what you want. Hope this answers your question, Ken.

Jaan link

12/7/2018 12:38:19 pm

What chemical can increase setting time of plaster of paris without lost hardness?

Thomas

12/12/2018 10:38:59 pm

This is an amazing resource! Thanks for all the time you've put into this Kenya.

I've read though the years of questions and only saw one mention of Durham's Water Putty.

Could you explain why adding this to PoP is not a good idea?

I'll be playing around with all your PVA suggestions, but I'd still like to know why mixing the WP and PoP is not a good idea.

THANK YOU!!

Ken

12/13/2018 09:48:19 am

Thomas,
I see no reason that Water Putty can't be added but I just prefer adding PVA. Sounds like an experiment is worth doing and letting us know the results. Thanks, Ken.

Alyson Wildman

12/18/2018 03:33:45 pm

Hello. I am so sorry if you have already answered this but there are soooo many comments, I have scanned but may have missed....I have my first POP mold setting at the moment so can't add anything to the mix to strengthen it. What should I apply to the finished cast to strengthen/harden it please? I read a bicarbonate of soda liquid would do this but also read that this would break down the POP... Many thanks for your help

Ken

12/20/2018 09:41:43 am

Hi Alyson,
I would suggest that you dilute Elmer's Glue or other white glue at 1:1 glue to water. It should be less viscous and suck into the pores so you may have to change proportions. Add and watch it go into the object and let it dry completely. Please don't use baking soda! Ken.

Alyson Wildman

12/20/2018 09:48:27 am

Thanks so much Ken. You are certainly the Oracle for Plaster of Paris knowledge and it is very much appreciated! Merry Christmas 🎅👍

Dave morris

1/14/2019 06:52:07 pm

This site has been a wonderful read. I've been experimenting with various gypsum plasters from stonecast, crystacal R and also crystacast. I am making small rectangle stone plaques to place on a sideboard. One of these gave a beautiful finish that was not too dense and quite light to pick up so ideal for my requirements but I cannot remember which plaster I used as I hadn't marked the bags. I've run out of all of the tester plasters i had so re-purchased the crystacal R again thinking it was that one that gave the best results and found this to be quite dense and far heavier than my original earlier sample. I bought a 25kg bag recently so has been a waste. Id be worried if the plaque fell and damaged a sideboard or worse still fell onto someone's head or child for example. So I really need a far less dense pop. Rather than me buy more gypsum plasters of different brands to test with is there a way to make the current plaster less heavy or should I just opt for finding a more suitable gypsum and if so which? Someone mentioned that the stonecast i used is an alternative name given to herculite but there are various herculites on the market so I don't want to buy another wrong bag. If you can direct me to a suitable strong gypsum that doesn't chip easily but is still nice and light to hold and white in colour this would be amazing.

Many thanks

Ken

3/27/2019 10:50:50 am

Dave,
Most of the commercial lines like DAP or other's at Lowe's or Home Depot would fit your criteria.

rset

1/17/2019 03:01:16 am

dear ken
i want to increase strength of plaster of paris mold and cast with force about 2 or 3 bar of casting slip and not damaged over 200 times.I know the method of watering and de-watering of the mold.please give me some hint and if you have any suggestion inform me
tanks

Julia T link

2/21/2019 08:04:19 am

Hi Ken, Thank you for the video, the webpage and the answers to all the comments. I have a few questions for you.

Scenario: I have a plastic bin that I want to make a plaster mold 6 cu ft (2x3x1 ft) after which I can remove the plaster and carve it into a scupture. Looking at David’s pdf the amounts of POP & water only go to 800 cu. The size of the mold is 10368 cu inches.

1. Should I do this mixing in three stages because of the size?
2. Can I mix the first batch in the bin, then after that is cured mix the second batch directly on top etc for the third batch. Or do I have to mix 2nd & 3rd in a bucket then pour? Will the 2nd & 3rd adhere to the first no problem?
3. Should I mix it all at once using very cold cold water.
4. Will there be seams? Would I fill these seams with Elmer’s glue or use something else?
5. I live on an island it is very humid. Will this decrease the water I need to use or just increase drying time?
6. Is there another product you would suggest using rather than POP.
7. Almost forgot, for this size I would need at least 90 lbs of POP. That seems quite a lot. Can you please check my math?

Thanks so much, I appreciate the help.

Julia T

2/21/2019 08:52:05 am

Or maybe I do the sculpting as the POP is setting? IOW as it begins to heat up in the bucket take globs out into the shape I am looking for? I’d probably have to be fast...? The shape itself is mostly horizontal, just long.

Ken

2/25/2019 10:00:37 am

Julia,
I hope that you received the email response to prior question. My comments seem to be fixed now. I would not try to sculpt while setting as the form will change as it dries. Ken.

Julia Trops link

3/2/2019 11:44:42 am

Hi Ken that is terrific thank you. I did get your message to the previous question and yes, you answered it all.
Thanks so much!
Julia

Thomas Veatch link

3/2/2019 08:50:35 am

My interest has become inspired to again do additive sculpture with Plaster of Paris. I did a bit of clay sculpture previously. Recently I saw the movie Struggle, about Szukalski who was amazing with monumental Art Deco sculpture starting from the 1920’s, which a medium I just love, and about 1:28:57 in the NetFlix video it gives a glimpse of his sculpting tools which are wood, shell, and bone: thin, and generally flimsy soft tools for working with what must have been a very soft additive sculpting medium, which I understand to have been HydroCal. So my question is, How could he do that work with those tools?

Specifically, Can a slow setting plaster achieve a rather jello-like, or perhaps quite soft clay like, medium-soft phase, that can, for sculpting durations, be layered on to a previously built up substrate, and have enough “stickiness” to not fall off and to not break off later, enough solidity and structure to hold its shape while being shaped, and enough long term durability to be worth the work and placed in museums years later?

So:
A) mix with very cold water and keep it cold, using a timer to know when to start and stop working?
B) score with a fork to enable nonfinal layers to adhere across crystalline structure discontinuities?
C) use hardest PoP (HydroCal) for durability?

Any further tips?

Skukalski’s technique seems like a lost art indeed. Ken you may be the only one who can reconstruct it, since my internet searches have yielded little. Thank you for having a look at this question.

Tom

Ken

3/2/2019 10:36:52 am

Tom,
This is a complex question so I have to research a bit before answering. Meanwhile, the following link may help a little. Ken.
http://www.sculpt.com/catalog_98/CastingMaterials/GYPSUMS/gypsum4.htm

karnani link

3/16/2019 03:59:01 am

We have phospo gypsum from chemical factory purity is more than 98% care has to be taken for following.
1) settling time 12 to 15min.
2) how to improve whiteness.
3) how to improve strength of material so that can satisfy pull out test.
4) % of perlite and vermiculite to be mixed.
5) we have gypsum which is already of 200mesh and we have to make pop of same.
6) coverage are of material.
7) kind of compounding and bonding to be used.
8) weather crack will develop or it will leave water.

Wendy

3/22/2019 03:37:10 pm

Hi ken
I am loving this discussion. Very interesting and very informative!
My issue is this. I want to make bright coloured plant pots. I like the idea of making them in plaster due to the vivid colours I can achieve and also the demoulding time. The problem is the inside needs to be water resistant.
I had thought Jesmonite AC100 or AC730 would do the trick but apparently not. Although both are advertised as being suitable for outdoor use this is with the caveat that they need sealing. AC100 though advertised as suitable for external use should not be used for plant pots. Full stop. With sealer or without. AC730, although suitable for use as a water feature, (according to marketing blurb I’ve read) again should be sealed as it has a water intake of slightly less than 3%. I made a pot and sat water in it and it became saturated within hours and left a salt line to boot. Disappointed? I should say so! They don’t even offer a suitable sealer so that you can use it outdoors without water ingress? I’m just plain confused and I told them so. Their response was not particularly enlightening - in my opinion.
So I’m looking at using Cassini outdoor plaster. I’ve had success and failure with it in the past. Apparently it has a short shelf life. Have you had any experience of it?
Otherwise, do you have any suggestions to what I could use to seal the inside of a planter to make it water resistant? I’ve tried diluted PVA but it leaves shiny patches and peels off over time so I’m not overly happy with it. Should I abandon the whole idea of plaster planters and just stick to concrete do you think?
Really hoping you can help. X

Ken

3/25/2019 09:00:55 am

Hi Wendy,
POP is a high risk for water containment and concrete is much better as it will even cure under water. However, I have a strange experiment that may be a possibility worth trying. Coat the inside with melted paraffin wax and see if that helps or even works. Other than that I suspect that concrete will be a best choice. Ken.

Nate

3/23/2019 06:47:38 pm

Hello, Ken, I really appreciate this website and your video about plaster of Paris. I am trying to pour molds but using the 1:2 water/plaster ratio comes out waaay too thick, cannot even be poured. I’m not sure why, but I even tried a 1:1 ratio, and it seemed too watery at first, but then in the space of about a minute it thickened so much I couldn’t pour it. Do you have any suggestions? Are there different formulations of plaster of Paris that require different amounts of water? The brand I’m using is called “Mont Marte”.
Really appreciate any thoughts you have. Thank you again.

Ken

3/27/2019 10:59:29 am

Nate,
This is certainly not typical behavior at all. A 1:2 mix at room temp water properly slaked should be close. I can't explain this problem other than the POP is the problem. Not sure why but it seems to be the problem.

suresh VG

3/24/2019 12:12:00 am

How to convert the Phospho Gypsum (produced as a waste production in Fertikliser Industry) into Plaster of Paris.
Please guide.

Ken

3/27/2019 11:03:30 am

This is beyond my ability to assist as there is considerable research to do. I suggest that you contact the fertilizer manufactures for guidance.

Rosa

4/9/2019 08:56:43 pm

I have made sculpture of pop with wood glue and reinforsed with mesh. It came out well. I need to add a layer to the structure for more detail. Can i make the same mix. And lay the sheet on the structure. Would it hold in place after it dries? Or should i start all over again.. Thank you Rosa

Ken

4/11/2019 04:49:35 pm

Rosa,
Lightly spray the existing structure with water and continue the next step. It should adhere just fine, Ken.

InnerWestPainters link

4/16/2019 04:44:49 am

Thank you for sharing the post and the video. Both are very helpful. It is important to have right mix for a quality work on walls and ceiling.

Lizard

4/28/2019 07:08:07 pm

Hi,
Will the ph of a liquid that the plaster powder is mixed with change how long it takes to set?
Thanks
Liz

Ken

5/3/2019 04:42:23 pm

Liz,
The pH 6,7, or 8 won't make much difference but beyond that the crystal structure can be negatively changed. Best control is with water temperature. Cold=slow, hot=fast. Ken.

Linda B

4/29/2019 06:49:18 am

Hi Ken! What a great and informative site! You may have answered this already. I am creating a life size plaster of paris and gauze relief sculpture with my students. It was allowed to dry and is adhered to 3/4" plywood. We painted with watered down gesso, then stained with watered down acrylic paint. Finally, we put acrylic gloss medium over it. It is still chipping in places! Ahh. I have never had luck with the plaster taking acrylic paint well. Any advice?

Ken

5/3/2019 04:45:07 pm

Linda,
It may be worthwhile to change to an oil based paint as it usually dosn't chip. Ken.

william greenberg

5/12/2019 10:23:28 am

can I mix food coloring with dental stone?

Ken

5/13/2019 10:59:34 am

William,
Yes you can but it is a poor choice as they are light sensitive, have low tincturial strength, and can cause too fast setting. Try a small sample and test it yourself as it might work for you. Thanks, Ken.

Kerri

5/23/2019 02:47:06 pm

Hi, this is a great article, thank you!

Can I add fresh plaster to cured plaster? Will it stick?
Thx

Ken

5/24/2019 09:50:14 am

Kerri,
Pre-moisten the old surface and use a slightly thinner new mix and it should be fine, Ken.

Kerri

5/24/2019 09:53:20 am

Awesome, thank you!!

Harry Troutman

5/25/2019 05:57:10 am

Hi, Ken.
Am I able to mix plaster of Paris with cold casting powder?
Thanks, Harry

Ken

5/25/2019 09:42:58 am

Harry,
This is not in my best knowledge area but I have used it with a polyester resin. I found a pdf that says plaster can be used but I have never tried it. A small experiment that you can do would test the possibility and if it works then a post might be helpful to other readers/viewers. Try it and definitely let us know what the result is. Sounds interesting! Ken.
http://www.douglasandsturgess.com/PDFs/Cold-Casting-Metal-Powders-DS.pdf

Bill

5/31/2019 08:36:31 am

I have Dental Stone 3 ,can I mix food coloring to change color
( I want to use a mold of miniature clay ties and I want them orange color)

Ken

6/2/2019 10:36:14 am

Bill,
Yes you can but it is a poor choice as they are light sensitive, have low tincturial strength, and can cause too fast setting. Try a small sample and test it yourself as it might work for you. Thanks, Ken.

Jagdish .R. Sevani

6/11/2019 06:49:07 am

Sir ,
Some times whater drops comes out at outer side of hard pop cast or I can say there is some wet feeling at outer side of cast .
What can be the reason ?
We are making orthopaedic pop bandages and we face this problem some times

Ken

6/11/2019 10:17:34 am

Two possible solutions. Reduce the amount of water in the mix and stir completely. Let cure until dry, Ken.

bonnie Flashman payne

6/12/2019 03:29:35 pm

How do I stop my plaster from cracking in the mold?

Ken

6/14/2019 09:42:38 am

Bonnie,
Cracking molds are usually due to not enough water or incomplete mixing. Additionally, let cure completely before de-molding, Ken.

William Greenberg

6/14/2019 12:24:19 pm

I left a tube of expanding caulk in the back seat in my car
(It expands to fill in spaces, yellow color) .I live in Florida,,
It exploding all over the seat,back of the drivers side,and on the floor
All over the carpet and the side of the door. Is there something I can use to remove the foam.(It is solid now)

Ken

6/14/2019 04:55:44 pm

William,
Once polyurethane foam has dried it is almost impossible to remove from fabric. Ken.

William Greenberg

6/14/2019 07:22:50 pm

Heat? Cold? (Flip a can of no contact electrical cleaner)

Jane Donovan

7/20/2019 03:30:11 pm

Hi, thank you for a wonderful article and support comments. I’ve made several POP castings and have painted them with acrylic gesso however they are sticky and don’t appear to have the gesso drying. Could this be because they weren’t cured properly before applying the gesso? Thank you in advance for your help 🙏

Ken

7/21/2019 10:19:46 am

Jane,
You have identified the problem that you have.
The gesso can't dry due to excess water in the mold. The water wants to get out but it is not able due to the gesso blocking it. Dry the mold completely and the problem should be solved, Ken.

Tom

8/9/2019 01:19:13 pm

Hi Ken,
I have really enjoyed reading and watching some of your experiments.
They have motivated me to experiment myself.
One thing I am about to try is using POP as a mould for metal casting.
Given that POP appears to be rated at up to 1200 deg Celsius, there are some limitations on what metals can be used, but I am planning on using aluminium which has a melt point of 660 deg and a liquid point below 1000 deg.
My question to you is whether you have tried anything (or know anything) along these lines and can impart any advice?
I’m in Australia, so if there is an explosion while I am experimenting you should be safe :)

Ken

8/11/2019 11:03:37 am

Tom,
I have not tried to cast metal and I would suggest two cautions when you try. The POP mold has to be very dry or steam will cause problems. Despite the mp POP fractures easily and can revert to the original material. I think that it is a worthwhile experiment and please keep us informed. Thanks, Ken.

Tom

8/11/2019 03:08:10 pm

Hi Ken,
Thanks for the reply. I actually did not think of water (steam) causing issues. I was more thinking about ensuring all air pockets are removed.
Both are equally as worrisome. An explosion with liquid aluminium is probably not going to turn out well.
So my thoughts are to pour the POP very slowly into its mold whilst on a vibrating plate (Easy enough to construct - attach an electric razor or toothbrush to the base of a fry pan).
4 days later, place the cured mold into the oven at 220 deg C for 40 minutes. This should eliminate any residual water.
When ready to pour the molten aluminium, bed the POP mold into a clay based fine soil to assist with heat and structural strength.

If this does not work, I guess I should make a reverse mold with POP and then use it to make a mold with clay. I am thinking that the firing process will destroy the POP enough that I can easily remove it.
If that does not remove the POP, based on your chemical knowledge Ken, which type of corrosive should I use - alkaline or acidic to remove the POP without damaging the clay mold?

inuwa garba

8/22/2019 03:09:47 pm

Hi i need a technical support, we establish a pop manufacturing factory in Nigeria but our product is setting and solidify very fast after mixing with water. when we over calcined it become darker. what can we do please?

Fred Evangel

8/30/2019 03:58:55 pm

Ken, I'm casting Hydrocal White in two to three molds per batch and need to retard the set up time. I've acquired some sodium citrite crystals but can't find a formula to give me another 20 to 30 minutes to de-bubble. Expect to do some testing but would like a starting point of crystals to water. Appreciate your advise. Thanks.

Ken

8/31/2019 09:20:39 am

Fred,
Make a 10% solution of sodium citrate/water. Then weigh out 25 gram samples of the Hydrocal. Start with 1% of the 10% solution and go as high as 5%. Observe the set time. Too much will actually stop any setting. This should give you some sense of where to go. Hope this helps, Ken.

Pamela Muir

9/2/2019 04:49:40 pm

I want to make a mosic grout out of plaster of paris. Can you help me?

Ken

9/4/2019 04:45:17 pm

Hi Pamela,
Actually I would not use POP in a grout formulation as it is to soft a material. There are many recipes on line but I would bite the bullet and get real grout as it has additives that are designed to work well. That is my best advice and hope that it helps, Ken.

billy bob jo link

9/18/2019 08:02:22 am

hii Im billy i need to know how to reinforce plaster of paris

YOUNAS, Haroon

9/19/2019 05:33:42 am

Hey,

I have a question regarding POP, I want to use it in concrete mixture to control its viscosity, but I have experience on it that how much quantity will be added in how much mix so that I can handle it well and also controlled its Viscosity but I also want decrease the setting time of concrete to set it early.

Kindly Guide.

Plaster of Paris Mixing Guide...

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